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At first it seemed to the Doctor that his companion was about to explain matters further. There was still something vaguely communicative about his manner, and a kind of noise issued from his rapidly moving jaws.

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That was why its effect was so distracting. It seemed to the doctor that the figure had popped up there on purpose to imitate the[Pg 2] action of a bowler and so baulk him. During the fraction of a second in which the ball reached him, this secondary image had blotted out everything else. But the behaviour of the figure was certainly abnormal. Its movements were violently ataxic. Its arms revolved like the sails of a windmill. Its legs shot out in all directions, enveloped in dust.CHAPTER FIVE
TWO:Suddenly, with a violent effort involving two sharp flappings of his ears, the Clockwork man mastered his difficulty. He appeared to set in action some swift depilatory process. The beard vanished as if by magic. The doctor collapsed into a chair.
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THREE:The day, as Miss Propert had already discovered in her little stuffy den, was exceedingly hot and airless, and Keeling, when he had passed through the reverberating square and under the arch leading into the Cathedral Close, found it pleasant to sit down on one of the benches below the elm-trees, which soared loftily among the tombs of the disused graveyard facing the west front of the Cathedral. Owing to Miss Properts rapidity in typewriting he had left the Stores half an hour earlier than usual, and here, thanks to her, was half an hour of leisure gained, for which he had no imperative employment. The quiet gray graves with head-stones standing out from the smooth mown grass formed his foreground: behind them sprang the flying buttresses of the nave. They were intensely different from the decorations of the town-hall; they had, as he for all his ignorance in architecture could see, an obvious purpose to serve. Like the arm of a strong man akimbo, they gave the sense of strength, like the legs of{84} a strong man they propped that glorious trunk. They were decorated, it is true, and the decoration served no useful purpose, but somehow the carved stone-work appeared a work of love, a fantasy done for the pleasure of its performance, an ecstasy of the hammer and chisel and of him who wielded them. They were like flames on the edge of a smouldering log of wood. He felt sure that the man who had executed them had enjoyed the work, or at the least the man who had planned them had planned them, you might say, for fun. Elsewhere on the battlemented angles of the nave were grotesque gargoyles of devils and bats and nameless winged things with lead spouts in their mouths to carry off the rain-water from the roof. Commercially they might perhaps have been omitted, and a more economical device of piping have served the same purpose, but they had about them a certain joy of execution. There was imagination in them, something that justified them for all their nightmare hideousness. The people who made them laughed in their hearts, they executed some strange dream, and put it up there to glorify God. But the man who perpetrated the little pink granite pilasters on the town-hall, and the man who painted the lilies on the looking-glass above Mrs Keelings drawing-room chimney-piece had nothing to justify them. The lilies and the pilasters were no manner of good: there was a difference between them{85} the flying buttresses and the gargoyles. But the latter gave pleasure: they paid their dividends to any one who looked at them. So did the verses in Omar Khayyam to those who cared to read them. They were justified, too, in a way that No. 1 drawing-room suite was not justified for the 117 that, with extras, it cost the purchaser."Excuse me," Arthur ventured, huskily, "did you wish to speak to me?"

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THREE:"He asked Arthur Withers what year it was. Naturally, if he did come from the future, his first anxiety would be to know into what period of man's history he had, possibly by some accident, wandered."JAPANESE LADIES ON A PICNIC. JAPANESE LADIES ON A PICNIC.

REVIVE YOUR WARDROBE WITH CHIC KNITS

THREE:"Yet if I had caught him again I would have strung him up to the first limb."

REVIVE YOUR WARDROBE WITH CHIC KNITS

THREE:HOT BATH IN THE MOUNTAINS. HOT BATH IN THE MOUNTAINS."Where?"
THREE:"Oh, I'll give him the benefit of the doubt, Ned, damned if I don't! George! I'll apologize! Rather than lose your friendship I'd apologize to the devil!"
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    Ferry led Kendall and me into the woods, the other two remaining. We found rising ground, and had ridden but a few minutes when from its crest we looked upon a startling sight. In front of us was a stretch of specially well farmed land. Our woods swept round it on both sides, crossed a highway, and gradually closed in again so as to terminate the opening about half a mile away. Always the same crops, bottom cause of the war: from us to the road an admirable planting of cotton, and from there to the farther woods as goodly a show of thick corn. The whole acreage swept downward to that terminus, at the same time sinking inward from the two sides. On the highway shone the lighted rear window of a roadside "store," and down the two sides of the whole tract stretched the hundred tent-fires of two brigade camps of the enemy's cavalry. Their new, white canvases were pitched in long, even alleys following the borders of the wood, from which the brush had been cut away far enough for half of them to stand under the trees. The men had quieted down to sleep, but at one tent very near us a group of regimental officers sat in the light of a torch-basket, and by them were planted their colors. A quartet of capital voices were singing, and one who joined the chorus, standing by the flag, absently yet caressingly spread it at such breadth that we easily read on it the name of the command. Let me leave that out."Law, you hain't!" cried Mrs. Wall, smiling back as she jounced. "If you air, the Majo's sisteh's got written awdehs fo' you."THE WRITING IN BLOOD. THE WRITING IN BLOOD.
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