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But for Newcastle to form a Cabinet was no such easy matter. Pitt refused to take office with him unless he had the whole management of the war and foreign affairs. The king then agreed to send for Henry Fox, who accepted the office of Chancellor of the Exchequer; but Newcastle was so sensible of Fox's unpopularity that he was terrified at undertaking an Administration with Fox and without Pitt, though he was equally reluctant to let a Cabinet be formed without the former. For three months the fruitless endeavours to accomplish a Ministry went on, Parliament sitting all the time, and a great war commencing. Finally, the king and Newcastle were compelled to submit to the terms of "the Great Commoner," as they called Pitt, who became Secretary of State, with the management of the war and foreign affairs. Newcastle became again First Lord of the Treasury, but without one of his old supporters, and Legge Chancellor of the Exchequer; Holderness, a mere cipher, was the other Secretary of State; Anson was placed at the head of the Admiralty; Lord Temple was made Lord Privy Seal; and Pratt, an able lawyer and friend of Pitt, Attorney-General. Fox condescended to take the office of Paymaster of the Forces; and thus, after a long and severe struggle, the feeble aristocrats, who had so long managed and disgraced the country, were compelled to admit fresh blood into the Government in the person of Pitt. But they still entertained the idea that they only were the men, and that wisdom would die with them. One and all, even the otherwise sagacious Chesterfield, prognosticated only dishonour and ruin for such a plebeian appointment. "We are no longer a nation," said Chesterfield; "I never yet saw so dreadful a prospect."

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When the belief in a future life assumes the form last mentioned, it is, as we have said, simply a survival of the most primitive animism, not testifying to any religious reaction at the time when it can be proved to have flourished. It is introduced in the present connexion merely to show what ideas were current among those classes to whose opinions Roman civilisation was gradually giving irresistible weight. How the minds of the richer and more educated classes were affected by this underlying stratum, is shown by the nature of the figured representations with which their last abodes were ornamented. Everyone has been made tolerably familiar with these through the sculptured sarcophagi preserved in our museums; but, from their symbolical character, the significance of the reliefs with which they are decorated is not obvious at first sight; and some of the mythical adventures thus embodied may have been wrought without any reference to the destination of the dark and narrow chamber which they enclosed, or may even have been intended to divert the imagination from sad thoughts by the luxuriance of rushing life and joy and victory which they displayed; but after making every possible deduction on this score, there remain many others offering a deeper source of consolation to the bereaved survivor by the pictured promise of future reunion with those whom he had loved and lost. One favourite subject is the visit of Diana to the sleeping Endymion, by which is clearly foreshadowed an awakening to divine felicity from the sleep of death. The rape of Proserpine, followed by238 her restoration to the upper world, conveys a similar intention; as also does the fate of Adonis, since he too was believed to have risen from the dead. The marriage of Bacchus and Ariadne unquestionably symbolises the exchange of an earthly for a heavenly life; and the scenes of Bacchic revelry with which the interior of some tombs is decorated, were, to the imagination of those who designed them, no unbecoming image of the joys awaiting a blessed soul in its celestial abode. An inscription of which we have already quoted the opening words expresses in terms that hope of companionship with the joyous band of Dionysus at which the plastic representations can but mutely hint. ��Now in a flowery meadow,�� says the mourning mother of Doxato to her child, ��the priestess marked with a sacred seal is enrolling thee in the troop of Bacchus, where the Naiads that bear the sacred baskets claim thee as their fellow to lead the solemn procession by the light of torches.�� At the same time, a tenderer or graver note is often struck. The stories of Adm��tus and Alcestis, of Protesilaus and Laodameia, point to a renewal of conjugal love beyond the grave. What were formerly supposed to be scenes representing the eternal farewell of husband and wife are, in the opinion of modern archaeologists, pictures of their restoration to each other��s arms. Rising higher still, Achilles among the daughters of Lycom��des probably typifies the liberation of an immortal spirit from the seductions of sense. The labours of Heracles recall his apotheosis, and seem to show that a life of noble effort shall be rewarded hereafter. The battle of the Amazons is an allegory of strife with and triumph over the temptations of earthly delight. Another often-recurring theme, the hunting of the Calydonian boar, may mean the soul��s victory over death; but this explanation is offered only as a conjecture of the present writer��s.

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