FORE:Sir David Wilkie (b. 1785), one of the greatest of Scottish painters, claims a few words here, especially regarding the latter part of his brilliant career. In 1820-1 he accomplished his masterpiece, "The Chelsea Pensioners listening to the[433] News of Waterloo," for which he received 1,200 guineas from the Duke of Wellington. His later works did not increase his reputation, chiefly because he abandoned the style in which he excelled and adopted the pseudo-Spanish. In 1830 he was made painter in ordinary to his Majesty on the death of Lawrence, and became a candidate for the Presidentship of the Royal Academy, but had only one vote recorded in his favour. Between 1830 and 1840 he painted a considerable number of works, among which were "John Knox preaching before Mary," and "The Discovery of the Body of Tippoo Sahib," painted for the widow of Sir David Baird, for 1,500. In 1836 he was knighted, and in 1840 he set out on a tour to the East, and went as far as Jerusalem, which he viewed with rapture. At Constantinople he had the honour of painting the Sultan for the Queen. He returned by Egypt, but never saw his native land again. He died off Gibraltar, and, the burial service having been read by torchlight, his body was committed to the deep, on the 1st of June, 1841.What a contrast immediately presents itself in the generous nature of Steele, in the genial and pure writings of Addison! Both Addison and Steele were poets, Steele principally a dramatic poet, of considerable success; Addison was the author of "Cato," a tragedy, and the "Campaign," celebrating the victory of Blenheim, with other poems. But the reputation of both Steele and Addison rests on their prose. They were the introducers of essay and periodical writings, and carried these to a perfection which has never been surpassed. Richard Steele (b. 1671; d. 1729) has the honour of originating this new department of literaturea departmentwhich has grown into such importance, that the present age would scarcely know how to exist without it. He started the "Tatler" in 1709, issuing it three times a week, and was joined by Addison in about six weeks. The interest with which this new literary paper was expected at the breakfast tables of that day, can only be likened to that which the morning papers now excite. In 1711, the "Tatler" having come to an end, the "Spectator" was started on the same plan, jointly by Steele and Addison, and, this ceasing in 1712, in the following year the "Guardian" took its place. Steele was the largest contributor to the "Tatler" and "Guardian," Addison to the "Spectator." Various of their contemporaries furnished papers, Swift amongst the rest, but there are none which can compare with the vigorous, manly writing of Steele, and the elegant, and often noble, compositions of Addison. The mixture of grave and gay was admirable. In these papers we find abundant revelations of the spirit and manners of the times. The characters of Sir Roger de Coverley, Will Wimble, etc., have an imperishable English interest. The poetic and generous nature of Joseph Addison (b. 1672) was demonstrated by his zealous criticisms on Milton's "Paradise Lost," which mainly contributed to rescue it from the neglect which it had experienced. Addison, after Sir Philip Sidney, was the first to call attention to our old popular ballads, "Chevy Chase" and "The Babes in the Wood," the eulogies on which probably led Bishop Percy to the collection of the precious "Reliques" of the ballad lore of former ages. The "Spectator" and "Guardian" were published daily. Steele afterwards published the "Englishman," with which Addison had no concern, and it only reached to fifty-seven numbers. These two fellow-labourers, both in literature and Parliament, after nearly fifty years' friendship, were sundered by a mere political differencethe question of limiting the royal prerogative of creating peers, in 1719, the last year of Addison's life.
At vero eos et accusamus et iusto odio dignissimos ducimus qui
blanditiis praesentium voluptatum deleniti atque corrupti quos dolores
et quas molestias excepturi sint occaecati cupiditate non provident.
