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AT the end of seven weeks her husband went back to rejoin his regiment, and Pauline was left with her father-in-law and her new aunt, Mme. de Bouzolz, a very young, lively woman, whose husband had also just returned to the army. Both were very kind and fond of her, but their ideas were not so strict as those of the Duchesse dAyen.

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From the horrors of the Revolution she had fled in time; with the Empire and its worshippers she had never had any sympathy; the episode of the Hundred Days was a new calamity, but when it was past and the King again restored her joy was complete.The breathing time given to unhappy Bordeaux [313] came to an end. Tallien was recalled, and his place filled by the ferocious Jullien.
THREE:The pavilion of Mme. Du Barry had been sacked by the Revolutionists, only the walls were standing, while the palaces of Marly, Sceaux, and Bellevue had entirely disappeared.
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TWO:During the latter part of the reign of Louis XV. the rule of perpetual court dress at Marly was given up, and when Louis XVI. came to the throne he tried, but without success, to discourage the gambling, which he hated; but what Marie Antoinette disliked was the stiffness, fatigue, and restraint of these journeys, and she insisted that at Trianon, which the King had given her, she should be free from the [395] intolerable gne of the etiquette which the last two reigns had so increased as to be an intolerable burden, in former centuries unknown at the court of France.
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TWO:But just as she was getting ready for the journey her little daughter was taken ill. She recognised with despair the fatal symptoms of her other children. She could not speak English or the doctor French, but Mme. de la Luzerne and her daughter, emigres and friends of the Duchesse dAyen, hastened from London, took up their abode at Richmond, stayed with her until after the death of the child, and then took her to London and looked after her with the greatest kindness and affection until M. de Montagu arrived, too late to see his child, distracted with grief and anxiety for his wife, and sickened and horrified with the Revolution and all the cruelties and horrors he had seen.From her earliest childhood Flicit had shown a remarkable talent for music and acting, of which her mother was so proud that she did her best to spoil the child by bringing her forward on every occasion to display her talents. She learned to sing, to play the harp, to recite verses; she was dressed up as an Amour or a Hebe, she acted Iphigenia and Hector and Zaire, and the constant flattery and notice she received evidently and naturally turned her head and laid the foundation of that vanity and self-satisfaction which appears so conspicuously in the records of her life.



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< The brilliant social success, and the life, a perpetual scene of pleasure, excitement and intense interest, were chequered with all sorts of annoyances. The envy she excited by her social triumphs, the favour of the Duchess, and later, of the Duc de Chartres, displayed itself as usual in slanders, misrepresentations, and different spiteful actions; while the hostility she aroused caused her more astonishment than would have been expected in a woman possessing so much knowledge of the world, and more unhappiness than one might suspect in one so entirely self-satisfied.How it was possible, amidst the horrors and excesses going on throughout the land, to have such a delusion was incredible to Pauline; but the credulous infatuation of her husband was shared by Adrienne, who was delighted to get away from public life into the country, and proposed that they should stop with her sister on the way.One cannot help seeing in the sentiments expressed and the manner of expressing them, the artificial, affected tone which with Mme. de Genlis had become her second nature, and which she had evidently inculcated into her daughter.The Queen had no idea of economy, and the Comte dArtois was still more extravagant and heedless. [274] Many were the absurd stories told of him, harmless and otherwise. Of the first description is the affair of the wig of M. de Montyon. Arriving early one morning to speak to him, and seeing no servants about, he mistook the door and walked unannounced into a room where he saw a young man in his shirt sleeves, with his hair all rough and his toilette very incomplete, who, astonished at the sudden entrance of a magistrate in an enormous wig, asked him brusquely what he was doing there.Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not [54] dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg daffaires of Saxony, M. de Rivire, whose daughter had married her brother Louis Vige. He and her sister-in-law were constantly at her house. Mme. Vige acted very well, was a good musician, and extremely pretty. Louis Vige was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.
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