THREE:Mrs Keeling had much enjoyed the sense of added pomp and dignity which her husbands mayoralty gave her. She liked seeing placards in the streets that a concert in aid of some charity was given under the patronage of the Lady Mayoress, and would rustle into the arm-chair reserved for her in the middle of the front-row with the feeling that she had got this concert up, and was responsible not only for the assistance it gave to the charity in question, but for the excellence of the performance. She assumed a grander and more condescending air at her parties, and distinctly began to unbend to the inhabitants of Alfred Road instead of associating with them as equals. She knew her position as Lady Mayoress; it almost seemed to her that it was she who had raised her husband to the civic dignity, and when one morning she found among her letters an invitation from Lady Inverbroom for herself and him to dine and sleep one day early in December, at their place a few miles outside Bracebridge, she was easily able to see through the insincerity of Lady Inverbrooms adding that it would give her husband such pleasure to show Mr Keeling his library. It was an amiable insincerity, but{164} Emmeline was secretly sure that the Lady Mayoress was the desired guest. She tried without success to control the trembling of her voice when she telephoned to Keelingwho had just left for the Stores (those vulgar stores)the gratifying request. He was quite pleased to accept it, but she could detect no trembling in his voice. But men controlled their feelings better than women...."Wait, I am coming to that. We have to[Pg 177] get the facts firmly in our heads. First of all, there is a mechanism, a functioning principle, which causes certain processes to take place, and enables the Clockwork man to behave as no ordinary human being ever could behave. What that functioning principle is we do not yet know; we can only posit its existencewe must do thatand draw what inference we can from its results. Now, the effect of the functioning principle is clear to me, if the cause is hidden. Obviously, the effect of the mechanism is to accelerate certain processes in the purely human part of the Clockwork man's organism to such an extent that what would take years, or even generations, to take place in ordinary mortals, takes place instantaneously. Witness the growth of beard, the changes in appearance, the total collapse. Obviously, these physiological variations occur in the case of the Clockwork man very rapidly; and by adjustment any change may be produced. The problem of his normal existence hangs upon the very careful regulation of the clock, which, I take it, is the keyboard of the functioning principle. But what concerns us at present is the fact that this power of rapid growth makes the Clockwork man able to act in complete defiance of our accepted laws relating to cause and effect."
THREE:"There are the funniest cats in this country that you ever saw. They have the shortest kind of tails, and a good many of them haven't any tails at all any more than a rabbit. You know we expect every kitten in America to play with her tail, and what can she do when she has no tail to play with? I think that must be the reason why the Japanese cats are so solemn, and why they won't play as our cats do. I have tried to find out how it all happens, but nobody can tell. Doctor Bronson says the kittens are born without tails, and that is all he knows about it. I think they must be a different kind of cat from ours; but, apart from the absence of tails, they don't look any way dissimilar. Somebody says that an American once took one of these tailless cats to San Francisco as a curiosity, and that it would never make friends with any long-tailed cat. It would spit and scratch, and try to bite off the other cat's tail; but one day, when they put it with a cat whose tail had been cut off by a bad boy, it was friendly at once."
THREE:"I don't believe," said I, "I'd better put myself on the old gentleman when the mistress of the house is away."Then they called upon the Doctor for a contribution, original or selected, with this result:
THREE:The Doctor took the glass and then handed it to Fred; the latter looked steadily for a minute or more before he had a satisfactory view, and then said:
THREE:"Of course, quite accidental," said the Doctor, with a merry twinkle in his eyes.
THREE:Mrs. Masters was standing in the sitting room awaiting him. The Doctor strode in without stopping to remove his hat or place his gloves aside, a peculiar mannerism of his upon which Mrs. Masters was wont occasionally to admonish him; for the good lady was not slow to give banter for banter when the opportunity arose, and she objected to these relics of the Doctor's earlier bohemian ways. But for the moment her mood seemed to be rather one of blandishment.
THREE:"Now, Charlotte, my dear," began Miss Harper, "you are too terribly tired to--why, where is Charlotte; did she not come in with us from the--gate?"Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features.
