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THREE:After considering by what agencies the seeds of religious belief were carried from place to place, we have to examine, what was even more important, the quality of the soil on which they fell. And here, to continue the metaphor, we shall find that the Roman plough had not only broken through the crust of particularist prejudice, but had turned up new social strata eminently fitted to receive and nourish the germs scattered over their surface by every breeze and every bird of passage, or planted and watered by a spiritual sower��s hand. Along with the positive check of an established worship, the negative check of dissolving criticism had, to a great extent, disappeared with the destruction of the r��gime which had been most favourable to its exercise during the early stages of progress. The old city aristocracies were not merely opposed on patriotic grounds to free-trade in religion, but, as the most educated and independent class in the community, they were the first to shake off supernatural beliefs of every kind. We have grown so accustomed to seeing those beliefs upheld by the partisans of political privilege and attacked in the name of democratic principles, that we are apt to forget how very modern is the association of free-thought with the supremacy of numbers. It only dates from the French Revolution, and even now it is far from obtaining everywhere. Athens was the most perfectly organised democracy of antiquity, and in the course of this work we have repeatedly had occasion to observe how strong was the spirit of religious bigotry among the Athenian people. If we want rationalistic opinions we must go to the great nobles and their friends, to a Pericles, a Critias, or a Protagoras. There must also have been perfect intellectual liberty among205 the Roman nobles who took up Hellenic culture with such eagerness towards the middle of the second century B.C., and among those who, at a later period, listened with equanimity or approval to Caesar��s profession of Epicureanism in a crowded senatorial debate. It was as much in order that the De Rerum Natura should have been written by a member of this class as that the Aeneid should proceed from the pen of a modest provincial farmer. In positive knowledge, Virgil greatly excelled Lucretius, but his beliefs were inevitably determined by the traditions of his ignorant neighbours. When civil war, proscription, delation, and, perhaps more than any other cause, their own delirious extravagance, had wrought the ruin of the Roman aristocracy, their places were taken by respectable provincials who brought with them the convictions without the genius of the Mantuan poet; and thenceforward the tide of religious reaction never ceased rising until the Crusades, which were its supreme expression, unexpectedly brought about a first revival of Hellenic culture. On that occasion, also, the first symptoms of revolt manifested themselves among the nobles; taking the form of Gnosticism in the brilliant courts of Languedoc, and, at a later period, of Epicureanism in the Ghibelline circles of Florentine society; while, conversely, when the Ciompi or poorer artisans of Florence rose in revolt against the rich traders, one of the first demands made by the successful insurgents was, that a preaching friar should be sent to give them religious instruction. At a still later period, the same opposition of intellectual interests continues to be defined by the same social divisions. Two distinct currents of thought co-operated to bring about the Protestant Reformation. One, which was religious and reactionary, proceeded from the people. The other, which was secularising, scholarly, and scientific, represented the tendencies of the upper classes and of those who looked to them for encouragement and support. Throughout the sixteenth and seventeenth centuries, many noble names are to be found206 among the champions of reason; and while speculative liberty is associated with the ascendency of the aristocratic party, superstition and intolerance are associated with the triumph of the people, whether under the form of a democracy or of a levelling despotism. So, also, the great emancipating movement of the eighteenth century was fostered by the descendants of the Crusaders, and, until after the Revolution, met with no response among the bourgeoisie or the people; indeed the reaction in favour of supernaturalism was begun by a child of the people, Rousseau. All this, as we have already observed, has been reversed in more recent times; but the facts quoted are enough to prove how natural it was that in the ancient world decay of class privileges should be equivalent to a strengthening of the influences which made for supernaturalism and against enlightened criticism.

THREE:It is possible, we think, to trace a similar evolution in the history of the Attic drama. The tragedies of Aeschylus resemble the old Ionian philosophy in this, that they are filled with material imagery, and that they deal with remote interests, remote times, and remote places. Sophocles withdraws his action into the subjective sphere, and simultaneously works out a pervading contrast between the illusions by which men are either lulled to false security or racked with needless anguish, and the terrible or consolatory reality to which they finally awaken. We have also, in his well-known irony, in the unconscious self-betrayal of his characters, that subtle evanescent allusiveness to a hidden truth, that gleaming of reality through appearance which constitutes, first the dialectic, then the mythical illustration, and finally the physics of Plato. In Aeschylus also we have the spectacle of sudden and violent vicissitudes, the abasement of insolent prosperity, and the punishment of long successful crime; only with him the characters which attract most interest are not the blind victims, but the accomplices or the confidants of destiny��the great figures of a Prometheus, a Darius, an Eteocles, a Clytemnestra, and a Cassandra, who are raised above the common level to an eminence where the secrets of past and future are unfolded to their gaze. Far otherwise with Sophocles. The leading actors in his most characteristic works, Oedipus, Electra, Dejanira, Ajax, and Philoctetes, are surrounded by forces which they can neither control nor understand; moving in a world of illusion, if they help to work out their own destinies it is unconsciously, or even in direct opposition to their own designs.208 Hence in Aeschylus we have something324 like that superb self-confidence which distinguishes a Parmenides and a Heracleitus; in Sophocles that confession of human ignorance which the Athenian philosophers made on their own behalf, or strove to extract from others. Euripides introduces us to another mode of thought, more akin to that which characterises Aristotle. For, although there is abundance of mystery in his tragedies, it has not the profound religious significance of the Sophoclean irony; he uses it rather for romantic and sentimental purposes, for the construction of an intricate plot, or for the creation of pathetic situations. His whole power is thrown into the immediate and detailed representation of living passion, and of the surroundings in which it is displayed, without going far back into its historical antecedents like Aeschylus, or, like Sophocles, into the divine purposes which underlie it. On the other hand, as a Greek writer could not be other than philosophical, he uses particular incidents as an occasion for wide generalisations and dialectical discussions; these, and not the idea of justice or of destiny, being the pedestal on which his figures are set. And it may be noticed as another curious coincidence that, like Aristotle again, he is disposed to criticise his predecessors, or at least one of them, Aeschylus, with some degree of asperity.I stood still, dumb, aghast, unable to utter a word. Then I went to a sergeant who was also looking on and laughing; and, trembling all over, I said:

THREE:"But will those people be punished eventually?"One not accustomed to manual labour will, after commencing, find his limbs aching, his hands sore; he will feel exhausted both at the beginning and at the end of a day's work. These are not dangerous symptoms. He has only to wait until his system is built up so as to sustain this new draught upon its resources, and until nature furnishes a power of endurance, which will in the end be a source of pride, and add a score of years to life. Have plenty of sleep, plenty of plain, substantial food, keep the skin clean and active, laugh at privations, and cultivate a spirit of self-sacrifice and a pride in endurance that will court the hardest and longest efforts. An apprentice who has not the spirit and firmness to endure physical labour, and adapt himself to the conditions of a workshop, should select some pursuit of a nature less aggressive than mechanical engineering.

THREE:A policeman, standing rigidly outside the house, making signs with his hands to somebody. A sound of feet creeping down the area steps, the sudden pop and bang of a door forced in by a lever.Balmayne nodded. He spoke so low that the other hardly caught the words.