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All laughed at the vision, but the next day she was so ill that her execution was put off, she continued to be so ill that she could not be moved and was forgotten till the 9th Thermidor came and she was saved. She died, as Cazotte had predicted, in her own bed at a great age.

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  • THREE:Mme. de Genlis states that one evening while the States-General were sitting, the Duc dOrlans, who was in her salon, declared that they would be of no use and do nothing; not even suppress the lettres de cachet. Mme. de Genlis and the Duc de Lauzun were of a different opinion, and they bet each other fifty louis on the subject. The bet was put into writing and Mme. de Genlis showed it to more than fifty people of her acquaintance, all of whom declared a Revolution to be impossible. The Abb Cesutti, one of the free-thinking school, was editor of a paper called La feuille villageoise, intended for the people. He asked Mme. de Genlis to write for it, and she sent some papers called The Letters of Marie-Anne, in which she introduced doctrines and principles of religion. Soon after the Abb came and asked her in future only to speak of morality and never to mention religion. Knowing what that meant she declined to write any more for that paper.The tyrant is no more! Robespierre is dead!

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  • THREE:The prisons were thrown open, the Directoire was far milder than the Convention, pardons were obtained in numbers, especially by Trzia, who, when she could not succeed in saving persons in danger in any other way, had often risked her own safety to help and conceal them.

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  • THREE:Amongst other contrasts to be remarked between Louis XIV. and Louis XV., was the opposite way in which they treated their numerous illegitimate children.

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THREE:Grassini had sung at her London parties, and comparing these two great singers and actressesboth young, beautiful, and celebratedMme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression.
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THREE:In some cases it was possible to recover part, though often only a fragment of their possessions; in other cases not: it depended to a great extent what or who the forfeited estates belonged to. Sometimes, as in the case of the Duchess dAyen, people who had not emigrated, were allowed, even if they were murdered, to leave their estates to their families; but the whole state of things seemed an inextricable confusion impossible to explain; especially in a work of this kind.Mme. de Genlis some time afterwards married her niece, Henriette de Sercey, to a rich merchant in Hamburg, after which she went to Berlin, but where she was denounced to the King, accused, without truth, of receiving the Abb de Sieys, then in Berlin, and ordered to leave the Prussian territory.

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THREE:

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THREE:I cannot explain, said the man uneasily.

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THREE:You stay here and rest, Montbel, he continued. I will come back in a few minutes.

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FORE:He bowed and turned away; it was Mirabeau.

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FORE:The liaisons of Mme. Tallien had nothing doubtful about them.Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.

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FORE:Comment! on the contrary? What do you mean? Tell me.

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FORE:Quite another sort of woman was the Duchesse de Fleury, with whom Lisette formed an intimate friendship. The Duchess, ne Aime de Coigny, was a true type of the women of a certain set at the old French court, and her history was one [98] only possible just at the time in which it took place.

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    FORE:Have I not spoken plainly? Say no more about it.
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    FORE:Puisque cest vous que je fte, comment vous tonnez-vous de quelque chose? [48]
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    FORE:As Mme. Le Brun had not many servants, he had found nobody to announce him, but entered without the least shyness, and walking up to M. de Rivarol, said that he wanted to speak to him about a pamphlet of his, now being printed at the establishment in which he was employed. There was a passage in it which they could not read or did not understand, and M. de Rivarols servant having told him where his master was to be found, he had come after him.Mme. Auguiers affection for the Queen cost her her life. In the fury of the Revolution, knowing her to be without money, she lent Marie Antoinette twenty-five louis. This became known, and a mob rushed to her house to take her to prison and execution. In a frenzy of terror Mme. Auguier threw herself out of the window, and was killed on the spot. [37]
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As the window of her room looked upon the terrace, and was only five feet from the ground, she let herself down by a cord, taking care to choose the days when there was a post, Mlle. de Mars was busy writing to her friends, and her mother out of the way. Leaning upon the low wall of the terrace she instructed the little boys who stood below in what she happened to know herself, i.e., the catechism, the beginning of the principles of music, and certain tragedies which she and they declaimed, and as these instructions were mingled with cakes, fruit, and toys which she threw over the wall to them, they were very well attended, until Mlle. de Mars one day surprised them, and laughed so heartily at the verses recited in patois by the little boys that the class came to an end.The incident accords so well with the habitual treachery of Robespierre, that if not true it may be called ben trovato; but in fact it is not really certain that it took place.Amongst the friends who frequented their house her surprising talent naturally excited much attention and interest. One of those she liked best was the historical painter, Doyen, [11] a man full of culture, information, and good sense, whose remarks upon persons and things, as well as upon painting, she found very useful.
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