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In the midst of a large room crowded with women in light-hued sarees, the bridegroom takes his seat between two tables, on which are large trays of rice. Facing him is a chair, and one is occupied by the bride, who is brought in by a party of girls. She is scarcely fourteen, all in white; on her head is a veil of invisibly fine muslin ten folds thick; it enfolds her in innocence, and is crowned with sprays of myrtle blossom.

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We left Rawal Pindi in a tonga. The night was black, the carriage had no lamps; but now and again, at the sound of the driver's horn, dark massesbaggage camels, scarcely distinguishable in the gloommade way for us to go past at a gallop.
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TWO:"And is there no doctor?"
FORE:A native judge is sitting cross-legged on a little mat in his house. A petitioner appears of the lowest caste, a Sudra. The judge, quite motionless, watches the man unfasten his sandals, rush up to him, and with a profound bow touch his feet in sign of submission. For a man of higher caste, a Vaysiya, the ceremonial is the same, only instead of running forward the visitor walks up to the judge and merely pretends to touch his slippers. Then comes a kshatriya advancing very slowly; the judge rises to meet him half-way, and they both bow.
FORE:This interminable piece, with twenty changes of scene, dragged its weary length till two in the morning. One by one the soldiers went away; even the baboos soon followed them, and only the coolies remained, enthusiastically applauding every scene, every harangue, in a frenzy of delight, before the final apotheosis of Tazulmulook and Bakaoli, as man and wife, lovingly united against a background of trees with golden boughs.
FORE:Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.As we passed the sacred tanks, where a smell of decay filled the air that still rang with the cries of the bats, our horses suddenly shied and refused to go forward, terror-stricken by some invisible danger suggested to them by that reiterated shriek or the corpse-like smell. A very long minute passed as we sat in the carriage, a minute of dread that left us quite excited by this mysterious peril of which we had somehow felt the awe. Nor was it till we had left the great trees by the tanks behind us that the impression wore off under the comforting light of the stars.
FORE:
FORE:
FORE:
TWO:As we approached the Afghan frontier, camp followed camp, clustering round the railway stations that lie closer together on the line. In the morning and towards evening there was a constant hum round the train, of bagpipes, bugles, and drums, and the red or grey ranks were to be seen of soldiers at drill.
TWO:In a consecrated hall we came to a plaster image of a camel modelled over stone. To prove that you are without sin you must be able to pass under the beast, or at least between the front legs and the girth of the belly without touching any part; and so very narrow is this little gateway of Ja?n virtue that, to preserve my character in the presence of my escort, I did not attempt it.

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TWO:In a suburb of little houses beyond a great open square stands a gatewaya monumental portico of pink sandstone inlaid with white marble, on which the texts from the Koran, in black marble, look green in the intense light.In the afternoon, while it was still broad daylight and very bright outside, it was already dusk under the arches of the temple, and bats were flitting about.

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In this Peshawur the houses are crowded along narrow, crooked alleys, and there is but one rather wider street of shops, which here already have a quite[Pg 242] Persian character, having for sale only the products of Cabul or Bokhara. The balconies, the shutters, the verandahs and galleries are of wood inlaid in patterns like spider-net. The timbers are so slight that they would seem quite useless and too fragile to last; and yet they are amazingly strong, and alone remain in place, amid heaps of stones, in houses that have fallen into ruin. In the streets, the contrast is strange, of tiny houses with the Afghans, all over six feet high, superb men wearing heavy dhotis of light colours faded to white, still showing in the shadow of the folds a greenish-blue tinge of dead turquoise. Solemn and slow, or motionless in statuesque attitudes while they converse in few words, and never gesticulate, they are very fine, with a fierce beauty; their large, open eyes are too black, and their smile quite distressingly white in faces where the muscles look stiff-set. Even the children, in pale-hued silk shirts, are melancholy, languid, spiritless, but very droll, too, in their little pointed caps covered with gold braid, and the finery of endless metal necklaces, and bangles on their ankles and arms.At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss.
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