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It was very difficult just then to get money from France, and she had even to advance some for Mademoiselle dOrlans. Remembering what had happened to La Fayette, she was very much afraid of falling into the hands of the Austrians; on the other hand she could not go into France [437] without a permission, which she was silly enough to ask for, but luckily for herself, could not get.Barbier, a lawyer and man of the world, whose journal of eight volumes gives a vivid impression of the life of that time, after remarking that the sentence was a very lenient one, [6] that the chateau was not so large as that of many a fermier gnral, and that the building thereof gave employment to many poor people, goes on to say, As for shame, ... if it is because the King has a mistress, why who has not? except M. le duc dOrlans. [7]... The Comte de Clermont, Abb de Saint-Germain-des-Prs, openly keeps Mlle. le Duc, who was an opera dancer; she spends three-quarters of the year at Berny, the Abbs country house, where she does the honours. She has a fine house in the rue de Richelieu, where the Prince often spends a week. The fathers of the abbey who have business with him go to him there in the morning, for he does not lodge in the palace of the abbey. This goes on in sight of every one, and nobody says a word about it.
  • THREE:Pauline remained at Paris with her husband, and in February they lost their younger child, Clotilde. The morning after she died, Pauline, who had been up with her all night, was told that Rosalie, who was living at the h?tel de Noailles, had just given birth to her first child.

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  • THREE:Have I not spoken plainly? Say no more about it.This journey they made in safety; though for a few hours they skirted along the French outposts, saw in the distance a village on fire across the Rhine, and heard the continual roar of the guns.

    But this denouncing pleasure and praising

  • THREE:Capital letter TBut all kinds of stories were in circulation about her, which, of course, she indignantly denied. One of them concerned the marriage she now made for her second daughter with M. de Valence, a man of [406] high rank, large fortune, and remarkably bad character, who, moreover, had been for years, and continued to be, the lover of her aunt, Mme. de Montesson. It was positively declared that the Duke of Orlans, going unexpectedly into the room, found Valence on his knees before Mme. de Montesson, who with instant presence of mind, exclaimed

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THREE:The Duke with an air of consternation asked her to come into another room alone with him, and there with much embarrassment told her that his daughter, who was now fifteen, was by a new law placed in the list of emigres for not having returned at the time appointed; that it was her fault for not bringing her back when he first sent for her; that he was sure to be able to make it all right by getting her placed in a list of exceptions to be made, but that meantime she must go and wait in some neutral country; that he implored Mme. de Genlis to take her to Tournay; that the decree of exception would certainly be out in a week, and then he would come himself and fetch his daughter, and she (Mme. de Genlis) should be free.However, the predictions were fulfilled. Mme. de Marigny, after many misfortunes, died young. The Comte de Flahault was guillotined during the Terror, and the Comtesse escaped with her son to England, where she lived in great poverty in a village near London, until a friend of hers, the Marquis , also an emigr, suggested to her that she should write a novel. That same night she began Adle de Senanges, which she sold for 100 to a publisher in London, and after which she continued by her writing to support herself and [44] educate her boy at a good English school. When she returned to France she lived at a small h?tel in an out-of-the-way part of Paris until she married M. de Souza, the Portuguese Ambassador.
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THREE:

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FORE:Plus dun baiser payait ma chansonette,

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FORE:Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.

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FORE:Paul Delaroche

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FORE:An amusing anecdote is related by Mme. de Bassanville [76] concerning the marriage of a certain Mlle. de Mirepoix, who belonged to that family, but apparently to a younger and poorer branch of it.

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    FORE:There was a general exclamation of dissent, but the King replied
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    FORE:And step by step she was drawing away from the Revolution. She had had enough of it, and she began to feel that disgust and horror were taking the place of the frantic admiration she had entertained for it in former years. And the finishing stroke was put by hearing herself called, as she walked with Tallien in Cours la Reine one evening, Notre Dame de Septembre.When the affair was fully explained to her she threw herself at his feet, exclaiming
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    FORE:[112]Then you know Mme. Le Brun very well, Monsieur?
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    FORE:Their great stronghold was the salon of Mme. Geoffrin, where all the radical, atheist, and philosophic parties congregated. DAlembert, Condorcet, Turgot, Diderot, Morellet, Marmontel, and many other celebrated names were amongst the intimate friends of the singular woman, who although possessing neither rank, beauty, talent, nor any particular gift, had yet succeeded in establishing a salon celebrated not only in France but all over Europe. Owing to her want of rank she could not be presented at court, and yet amongst her guests were many of the greatest names in France, members of the royal family, strangers of rank and distinction. She knew nothing of art or literature, but her Monday dinners and evenings were the resort of all the first artists of the day, and her Wednesdays of the literary and political world.

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