The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.
ONE:The Abbess might receive in her apartment and at dinner whatever guests she chose, men or women, but no men might go to the cloisters or any other part of the abbey. She had a carriage, horses, and servants of her own, and might go out when and where she pleased, taking with her any nuns she chose. She often drove to see different farms, &c., belonging to the abbey, and to visit sick people.
TWO:His career, however, was even now beginning; and not long after Trzia, in the height of her beauty and power with Paris at her feet, rejected his love-making but accepted his friendship, he was sent to Italy and began the series of triumphs which were to raise him to the throne of France.
THREE:To Lisette she seemed to be about a hundred years of age, though she was not really very old, but her costume, a dark grey dress and a cap over which she wore a large hood tied under her chin, and her bent figure, increased the appearance of age.
FORE:Paul turned to one of his aides-de-camp, saying
The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.MADAME ROYALE
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