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Mme. de Tess, alarmed by the conduct of the government of Fribourg, sold her property there, and resolved to go far north, as the French armies seemed to be spreading all over central and southern Europe.

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Mat Helme
FORE:The prisons were thrown open, the Directoire was far milder than the Convention, pardons were obtained in numbers, especially by Trzia, who, when she could not succeed in saving persons in danger in any other way, had often risked her own safety to help and conceal them.
TWO:In her Memoirs, Mme. de Genlis says that the years she spent at the Palais Royal were the most brilliant and the most unhappy of her life.

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FORE:He was, in fact, a visionary, credulous enthusiast, with an overweening vanity and belief in his own importance; obstinate and self-confident to a degree that prevented his ever seeing the fallacy of his views. His own conceit, and the flattery and adulation of his family and friends, made him think that he, and no other, was the man to save and direct France. His very virtues and attractions [210] were mischievous in converting others to his unpractical and dangerous views.
32% TWO:The Prince de Ligne invited them to see his splendid gallery of pictures, chiefly Rubens and Vandyke; they also visited him at his beautiful country place, and after enjoying themselves in Brussels, which was extremely gay, they made a tour in Holland. Mme. Le Brun entered with enthusiasm into all she saw. The quiet, ancient towns of North Holland, with their quaint streets of red-roofed houses built along canals, with only such narrow pavements on each side that no carts or carriages could come there, traffic being carried on by the great barges and boats gliding down the [49] canals, or on foot and on horseback as the pavements permitted; and Amsterdam with its splendid pictures; after seeing which they returned to Flanders to look again at the masterpieces of Rubens in public and private collections.

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FORE:You think like a scoundrel!
TWO:The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his sons room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce the King and Monseigneur le Dauphin. [69]Mme. de Fontenay became impatient, for the sittings appeared to be interminable, and at last M. de Fontenay begged several of his friends to go and look at the portrait of his wife and give their opinion while it was still in the studio. It was in consequence more crowded than usual one day when M. de Fontenay, being also present, was joining in a conversation going on about David and his pictures.

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FORE:Sire, a modest post in the octroi of my little town would
32% TWO:That the false sentiment, the absurd rules of life, the irksome, unnecessary restrictions, the cramping and stifling of all the natural affections and feelings of youth here inculcated should have been regarded with approval, even by the sourest and most solemn of puritans, seems difficult to believe; but that in the society of Paris at that time they should have been popular and admired is only another example of the inconsistency of human nature. She had a passion for children, but kindness to animals does not seem to have been one of the virtues she taught her pupils. We may hope that the fearful little [xiii] prigs described as the result of her system never did or could exist.

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FORE:Lisette rejoiced at this announcement, for she fancied she would like to live in the country, at any rate for a part of the year.
FORE:The prison of the Carmes was a very different abode to Port Libre, and it was just at its worst time, but still Trzia used afterwards to declare that she, after a time, got accustomed to the horrors of the prison. The constant presence of death made them more and more callous, and they would play games together like children, even enacting the scenes of execution which they had every prospect of going through in reality. Their room, or cell, looked out into the garden, through a grating, into which, however, they could not go; a single mattress in a corner served for their bed.
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From the care of the Dauphin and Dauphine, who had exercised the most affectionate supervision over them, their children passed to that of their grandfather, who, though he was fond of his daughters, cared very little about his grandchildren, never inquiring about their studies, conduct or habits. He only saw them at the hours required by etiquette, when he embraced them with ceremony; but he took care that they were treated with all the homage due to the Children of France, and gave orders that their wishes were always to be gratified.How thankful I was to find myself alone in the room occupied first by my brother, then by Buonaparte, to which I came back after so long an absence: absolute solitude was a necessity to my mind. I prayed and groaned without interruption, which relieved me; then I resolved irrevocably to act in such a manner as never to expose France or my family to the Revolution which had just ended.... I lay down in the bed of Buonaparte, it had also been that of the martyr king, and at first I could not sleep ... like Richard III. I saw in a vision those I had lost, and in the distance enveloped in a sanguinary cloud I seemed to see menacing phantoms.M. de Montyon was furious, he flew into a rage, called till he succeeded in attracting attention, and then, discovering that the young man he had called an insolent rascal was his royal Highness, Monseigneur le Comte dArtois, hurried away in dismay.The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle dOrlans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.The acquaintance thus begun was a fortunate one for Isabey. In despair at the disappearance of the court and apparently of his own chance of getting on with his profession, he was thinking of giving it up. Mirabeau advised him to stick to it and gave him the commission to paint his own portrait.He answered immediately
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