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CHAPTER IV

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David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.Il est sans c?ur et sans entrailles. [4] このページの先頭です
ONE:How thankful I was to find myself alone in the room occupied first by my brother, then by Buonaparte, to which I came back after so long an absence: absolute solitude was a necessity to my mind. I prayed and groaned without interruption, which relieved me; then I resolved irrevocably to act in such a manner as never to expose France or my family to the Revolution which had just ended.... I lay down in the bed of Buonaparte, it had also been that of the martyr king, and at first I could not sleep ... like Richard III. I saw in a vision those I had lost, and in the distance enveloped in a sanguinary cloud I seemed to see menacing phantoms.
ONE:Mme. de Genlis went with M. de Valence to see her two days after her return, and was coldly received, but their relations to each other quickly returned to their usual terms.
TWO:Capital letter P
THREE:There she rested, spending the days out of doors in the cool green country, and looking forward to her approaching return to France; when one evening a letter was brought her from M. de Rivire, the brother of her sister-in-law, which told her of the horrible events of the 10th of August, the attack on the Tuileries, the imprisonment of the Royal Family, the massacres and horrors of all kinds still going on.At last a letter came to say that Adrienne was free. She had been the last to be released from Plessis after the death of Robespierre had, to a great extent, stopped the slaughter and opened the prisons. Her captivity had lasted from October, 1793, till February, 1795; and now, very soon after her letter, Adrienne arrived with her two young daughters at Altona.
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THREE:Mme. de Genlis in her Memoirs denies this story, but goes on to say with that half candour, which is perhaps the most deceptive, that she cannot but confess that her ambition overruled her in this matter; that she thought what was said about Mme. de Montesson and M. de Valence might not be true, or if it were, this marriage would put an end to the liaison; and what seems contradictory, that she believed the reason her aunt was so eager for the marriage was, that she thought it would be a means of attaching to her for ever the man she loved. But that her daughter had great confidence in her, and would be guided by her in the way she should behave.