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ONE:Children were selling whortleberries in plaited baskets; they came up very shyly, and as soon as they had sold their spoil hurried back to hide in their nook. Further on a little Afghan boy, standing alone and motionless by the roadside, held out three eggs for sale.At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.

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ONE:Towards evening Ellora came in sight, the sacred hill crowned with temples, in a blaze of glory at first from the crimson sunset, and then vaguely blue, wiped out, vanishing in the opalescent mist.Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple tools��clumsy tools��which they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.

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ONE:In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.

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ONE:The subterranean passage leading from the empress's rooms to the mosque, has in the roof a thick flagstone that admits a subdued glimmer as through amber or honey, lighting up all one end of the dark corridor.

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THREE:"I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."Amid hanging swathes of creepers, in a fold of the hill stands another temple, of red stone, very gloomy; and, in its depths, a rigid white Buddha, with purple shadows over his eyes of glittering crystal. And so on to temples innumerable, so much alike that, seeing each for the first time, I fancied that I was retracing my steps; and endless little shrine-like recesses, sheltering each its Buddha, make blots[Pg 43] of shadow on the bright ochre-coloured stone of the cliffs. For centuries, in the rainy season, thousands of pilgrims have come, year after year, to take up their abode in these cells, spending the cold weather in prayer and then going off to beg their living and coming back for the next wet season.

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THREE:A flight of regular steps, hewn in the rock, under the shade of banyans and bamboos, all tangled with flowering creepers, leads straight up to the temple. It is a vast hall, dug out of granite and supported by massive columns, with capitals of a half-flattened spheroidal shape��columns which, seen near, seem far too slender to support the immense mass of the mountain that rises sheer above the cave under a curtain of hanging creepers. The temple opens[Pg 21] to the north, and a very subdued light��like the light from a painted window��filtering through the ficus branches, lends solemnity and enhanced beauty to this titanic architecture.

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THREE:

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THREE:In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.

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ONE:Finally, in a third mosque, lies Shah Alam's brother. On the stone that covers him a sheet of lead bears the print of two gigantic feet, intended to perpetuate to all ages the remembrance of his enormous height.One of these halls, almost at the top of the mount, accommodated a school. The elder pupils sat on stools by the master's side; the little ones and the girls, in groups of five or six, squatted on mats in the corners; and all the little people were very quiet in the atmosphere of sandal-wood and flowers brought as offerings, read gravely out of big religious books, and listened to the Brahmin as, in a deep, resonant voice, he chanted a sort of strongly-marked melody. There was scarcely an ornament on the light-coloured walls, pierced with deep windows showing foliage without; and among the dead whiteness of the mats and the schoolchildren's draperies there was but one bright light,[Pg 109] the bell over the pulpit, surmounted by the sacred bull in bronze, of precious workmanship.

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THREE:Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet.

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ONE:Music in the evening, in the gardens which surround the library, the chapel, and the tennis[Pg 286] courts. The ladies' dresses and the uniforms were lustrous in the moonlight. First we had the regimental band, and then songs to a banjo accompaniment; and all about us in the tall trees, the minahs and parrots shrieking as if it were broad daylight, finished the concert by themselves. A huge creeper, swaying between two branches, hung like a curtain of yellow flowers embroidered, as it seemed, on the airy tangle of leaves.

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THREE:All round the mosque, in narrow alleys, are more and yet more tombs, strewn with roses and enclosed in little plots. Some stand out in the street unenclosed, like milestones.The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.