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At the head of the poets of this period stands Alexander Pope, who became the founder of a school which has had followers down to our own time. Pope was the poet of society, of art, and polish. His life was spent in London and in the country, chiefly between Binfield, in Windsor Forest, and Twickenham; and his poetry partakes very much of the qualities of that sceneryrich, cultivated, and beautiful, but having no claims to the wild or the sublime. He is opposed to poets like Milton and Shakespeare as pastures and town gardens are opposed to seas, forests, and mountains. In style he is polished to the highest degree, piquant, and musical; but, instead of being profound and creative, he is sensible, satiric, and didactic. He failed in "the vision and the faculty divine," but he possessed fancy, a moderate amount of passion, and a clear and penetrating intellect. He loved nature, but it was such only as he knewthe home-scenes of Berkshire and the southern counties, the trained and polished beauties in his gardens, the winding walks and grottoes at Twickenham. Mountains he had never seen, and there are none in his poetry. He was born in the year of the Revolution, and died in 1744, aged fifty-six; and, considering that he suffered from a feeble constitution and defective health, he was a remarkably industrious man. His pastorals appeared in Tonson's "Miscellany" when he was only twenty-one years old. Before this he had translated the first book of the "Thebais," and Ovid's "Epistle from Sappho to Phaon;" paraphrased Chaucer's "January and May," and the prologue to "The Wife of Bath's Tale." In two years after his "Pastorals" appeared his "Essay on Criticism" (1711). "The Messiah" and "The Rape of the Lock" were published in 1712the year in which the "Spectator" died. "The Rape of the Lock" celebrated the mighty event of the clipping of a lock of hair from the head of Miss Belle Fermor by Lord Petre.[151] This act, adorned with a great machinery of sylphs and gnomes, a specimen of elegant trifling, enchanted the age, which would have less appreciated grander things, and placed Pope on the pinnacle of fame. In 1713 he published "Windsor Forest," a subject for a pleasant but not a great poem, yet characteristic of Pope's genius, which delighted in the level and ornate rather than the splendid and the wild. In 1715 appeared the first four books of his translation of Homer's "Iliad," which was not completed till 1720. This still continues the most popular translation of the great heroic poet of Greece; for although it is rather a paraphrase of this colossal yet simple poem, and therefore not estimated highly by Greek scholars who can go to the original, it has that beauty and harmony of style which render it to the English reader an ever-fascinating work. In 1717 appeared his "Epistle from Eloisa to Abelard," a poem displaying more passion than any other of Pope's writings, but too sensuous, and the subject itself far from well chosen. Next succeeded his "Odyssey" of Homer, in conjunction with Fenton and Broome, and in 1728 the first three books of "The Dunciad," in which he took a sweeping vengeance on the critics and poetasters of the time, who had assailed him fiercely on all sides, with John Dennis at their head. The vigour with which Pope wielded the satiric lash excited the wonder of the public, which had seen no such trenchant production hitherto in the language, and filled the whole host of flayed and scalded dunces with howls of wrath and agony. Pope was not sparing of foul language in his branding of others, and they were still more obscene and scurrilous in their retorts. It is questionable whether they or Pope felt the most torture; for, so far from silencing them, they continued to kick, sting, and pelt him with dirt so long as he lived. So late as 1742 he published a fourth book of the satire, to give yet one more murderous blow to the blackguard crew. Besides this satire, he modernised an edition of Donne's Satires, and produced his "Essay on Man," his "Epistle on Taste," his "Moral Essays," and other poems, down to 1740. His "Essay on Man," "Moral Essays," etc., display shrewd sense, and a keen perception of the characteristics of human nature and of the world; yet they do not let us into any before unknown depths of life or morals, but, on the contrary, are, in many particulars, unsound. In fact, these productions belong by no means to poetry, of which they exhibit no quality, and might just as well have been given in prose. On the whole, Pope is a poet whose character is that of cleverness, strong intellect, carefully-elaborative art, much malice, and little warmth or breadth of genuine imagination. He reflects the times in which he lived, which were corrupt, critical, but not original, and he had no conception of the heavens of poetry and soul into which Milton and Shakespeare soared before him, and Keats, Shelley, Coleridge, Wordsworth and Tennyson in our time have wandered at large.Chapter 5
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THREE:Im not worrying about Jeff. Larry was caught by the suspicious action of their detective in taking the day watch while nothing occurred at night.In the old, disused house, to which Mr. Whiteside had secured a set of keys for them so they need not hang around the grounds until there was work to be done, they talked in low tones. Sandy believed that Jeff had coaxed his wife to put acid on the gems in the London hotel, as had been done.

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THREE:The horse came down to a walk. She had lost all control of the reins now, and clung to the pommel with both hands, swaying from side to side. She could hear galloping hoofs, behind and in frontor was it only the blood, the icy cold blood, pounding in her ears?By the way, Captain Parks turned to his employer. How about that cruise around New York to see the buildings lighted up that you told me to get the yacht ready for?

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THREE:On the next day they were in the flat, nearing the post. There was a dust storm. Earlier in the morning the air had grown suddenly more dry, more close and lifeless than ever, suffocating, and a yellow cloud had come in the western sky. Then a hot wind began to blow the horses' manes and tails, to snarl through the greasewood bushes, and to snap the loose ends of the men's handkerchiefs sharply. The cloud had thinned and spread, high up in the sky, and the light had become almost that of a sullen evening. Black bits floated and whirled high overhead, and birds beat about in the gale. Gradually the gale and the dust had dropped nearer to the earth, a sand mist had gone into every pore and choked and parched. And now the tepid, thick wind was moaning across the plain, meeting no point of resistance anywhere.

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THREE:CHAPTER XI POP! GOES OUR MYSTERY!

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THREE:Ellton answered "Very good," and they went out, locking the door."You are mistaken, my good fellow, because I won't." There was not the shadow of hesitation in his voice, nor did he lower his mild blue eyes.
The Agency man thought a question would not commit him. He had not been round at that time, and he asked for information. The lieutenant gave it to him.I think wed better get this crate into the hangarwell get the gardener and the caretaker and push it in, Dick suggested. I always get over a scare quicker if Im busy doing something to take my mind away from it.The general turned his head sharply, and his eyes flashed, but he only asked dryly, "Why?"In pursuance of which the resolute and courageous men arose at the cry of their bleeding land. They have gone down to history (to such history as deigns to concern itself with the reclaiming of the plains of the wilderness, in area an empire of itself) as the Tombstone Toughs.
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