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At the end of the passage was a sort of den, where, through the open door, I caught sight of a marvellous Indian hanging of faded hues on a pale ground, hidden in places by stains; the noble pattern represented a peacock spreading his tail between two cypresses.
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TWO:The natives, to keep their money safeit is always in coin, never in paper, which is not much trusted in these partseither bury it or have it wrought into trinkets, worn by the women and children. Quite little ones of five or six, and perfectly naked, have round their neck sometimes three or four strings of gold pieces, or pierced silver rods as thick as a fingerand then one evening the child does not come home, and in some dark corner the poor little body is found bleeding, the jewels gone. THREE:Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.Opposite a large tank, where a tall column rises from the water in memory of the victims of the Mutiny, and where a party of the votaries of Siva are performing their pious ablutions, a building stands in the Hindoo-Jesuit style of architecture. It is heavy, with white carvings above its pink paint, and with columns supporting turrets crowned with large lion-faces, the masks only, in the Indian manner, daylight showing through the jaws and eyes, and the profiles absurd, shapeless, and unmeaning. This is the college of La Martinire.
TWO:The city produces an impression as of a town built in the clouds and then dropped, scattered over the plain with vast arid and barren spaces left between the houses. In the native and Moslem quarters, indeed, there is a crowd of buildings, closely packed, crammed together on quite a small plot of ground; and among them the electric tramway runs its cars, useless just now, and empty of travellers, for it is the beginning of Ramadan, and the Mohammedans in broad daylight are letting off crackers in honour of the festival. THREE:Toglackabad, again an ancient Delhi, a rock on the bank of the Jumna after crossing a white desert; walls of granite, massive bastions, battlemented towers of a Saracen stamp, rough-hewn, devoid of ornament, and uniform in colourbluish with light patches of lichen. The enclosure has crumbled into ruin, in places making breaches in the walls, which nevertheless preserve the forbidding aspect of an impregnable citadel.From a quite small garden close to the palace a bronze gate with three medallions of lilies in high relief, of marvellous workmanship, opens on the Pearl Mosque, exquisitely white, at the end of its forecourt of immaculate pavement enclosed by a marble balustrade. Three polished and shining domes are supported by columns of snow made of a hard white marble, scarcely broken by [Pg 218]ornament, and carrying a roof hollowed into three vaults. The rings are still to be seen on the marble walls outside, to which, when the great Mogul came to prayer, curtains were attached made of gold net and spangled with diamonds and pearls.
TWO:The fourteen hundred and fifty-two gods of the Ja?n paradise are represented on a sculptured pyramid under a pagoda: little tadpoles of white stone crowded together, two black dots showing for eyes in the middle of the round featureless faces; on one side a more important god, sitting alone, has a rather less elementary countenance.A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad. THREE:In the middle of the town, which consists entirely of small houses carved from top to bottom, are two massive towers, joined by the remains of the thick wall that formerly enclosed the immensity of the sultan's palace and its outbuildings. The towers now serve as prisons; the stone lattice which screened the private rooms has been replaced by iron bars, the last traces of ornamentation covered up with fresh plaster. Behind the wall the ancient garden, kept green of old by legions of gardeners, is a mere desert of dust; a mausoleum in the middle, transformed into a court of justice, displays all the perfection of Indian art in two pointed windows carved and pierced in imitation of twining and interlaced branches; marvels of delicacy and grace left intact through centuries of vandalism.
TWO:In the shops the salesmen, to weigh their merchandise, had a strange collection of curious weightsdumps, rings, balls of copper, iron, or lead, stamped or inlaid with symbols and flowers; fragments of spoons to make up too light a weight, even pieces of wood; and they used them all with perfect readiness and never made a mistake. THREE:
Top [Pg 136]Amid the cool rush of a myriad streams is a garden, the loveliest in the world; the broad paths are shaded by cedars, banyans, palms, and crotons with purple and orange leaves. Under the garlands of gorgeous flowered climbers are hedges of roses of every shade, and shrubs starred with lavender and blue. In the ditches, above the water-plants strewn with petals like hoar-frost, grows a carpet of pale lilac cineraria.There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins.The old king is at once cured; he embraces his sons again and again. After this emotion the first thing he remarks is the new palace that has sprung from the ground exactly opposite his own.
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