ONE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.With her fathers death vanished for ever the bright, unclouded happiness of her childhood; her life henceforth was chequered with brilliant success, artistic and social, and acute sorrows in her domestic life; like a picture in which the brightness of the lights seem to deepen the gloom of the shadows. They were very badly off, for Louis Vige had left scarcely any provision for his family, and Lisette for some time was so stunned with the shock and grief that she seemed to be sunk in despair, taking no interest in anything, and giving up even the painting which had been her passion. Doyen, amongst other friends of Vige, used to come to see them; his visits were the greatest consolation to them all, especially to the young girl, who appreciated the affection he had always shown for her father, and by him she was persuaded to resume the studies and work which alone had power to divert her mind in some degree from her sorrow. She began to paint from nature, and did several portraits both in oil and in pastel, working [22] chiefly with another young girl about a year older than herself, Mlle. Boquet, whose father kept a curiosity shop in the rue Saint Denis where he lived, and where Lisette used to go in the evenings to draw from casts by candlelight with her friend.
FORE:A quinze ans, said the old soldier, firmly, jai mont lassaut pour mon roi; prs de quatre-vingts ans je monterai lchafaud pour mon Dieu.They may have left out something, replied he, laughing. I have no time to lose, and I tell you that I wish to be a great-grandfather as soon as possible.
FORE:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.
