THREE:Beccaria entertains a similar despair of truth. The history of mankind represents a vast sea of errors, in which at rare intervals a few truths only float uppermost; and the durability of great truths is as that of a flash of lightning when compared with the long[9] and dark night which envelops humanity. For this reason he is ready to be the servant of truth, not her martyr; and he recommends in the search for truth, as in the other affairs of life, a little of that philosophical indolence which cares not too much about results, and which a writer like Montaigne is best fitted to inspire.[6]
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TWO:Such was the reasoning which for nearly half a century governed the course of English history, and which for all that time it was a heresy to dispute.Thus, the two writers to whom Beccaria owed most were Montesquieu and Helvetius. The Lettres Persanes of the former, which satirised so many things then in custom, contained but little about penal laws; but the idea is there started for the first time that crimes depend but little on the mildness or severity of the punishments attached to them. The imagination, says the writer, bends of itself to the customs of the country; and eight days of prison or a slight fine have as much terror for a European brought up in a country of mild manners as the loss of an arm would have for an Asiatic.[4] The Esprit des Lois, by the same author, probably contributed more to the formation of Beccarias thoughts than the Lettres Persanes, for it is impossible to read the twelfth book of that work without being struck by the resemblance of ideas. The De LEsprit of Helvetius was condemned by the Sorbonne as a combination of all the various kinds of poison scattered through modern books. Yet it was one of the most influential books of the time. We find Hume recommending it to Adam Smith for its agreeable composition father than for its philosophy; and a writer who had much in common with Beccaria drew[8] from it the same inspiration that he did. That writer was Bentham, who tells us that when he was about twenty, and on a visit to his father and stepmother in the country, he would often walk behind them reading a book, and that his favourite author was Helvetius.
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TWO:This essay on the Imagination was published soon after the Crimes and Punishments in the periodical to which Beccaria alludes in his letter to Morellet. The Caff was the name of the periodical which, from June 1764, he and his friends published every tenth day for a period of two years. The model of the paper was the English Spectator, and its object to propagate useful knowledge pleasantly among the Milanese, whilst its name rested on the supposition that the friends who composed it executed their labours during meetings in a coffee-house. The most interesting contributions to it by Beccaria are his Fragment on Style, his article on Periodical Newspapers, and his essay on the Pleasures of the Imagination.
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ONE:But of far greater historical interest than such criticism is that of Ramsay, the Scotch poet and painter, to whom a copy of Beccarias treatise had been shown by Diderot, and who wrote a letter about it to the latter, which, though it contains some very just criticisms on Beccaria, yet reads for the most part very curiously by the light of subsequent history, and illustrates graphically the despair of all reform then felt by most men of reflection.[8]
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TWO: The first class of crimesthat is, the worst, because they are the most injurious to societyare those known as crimes of high treason. Only tyranny and ignorance, which confound words and ideas of the clearest meaning, can apply this name, and consequently the heaviest punishment, to different kinds of crimes, thus rendering men, as in a thousand other cases, the victims of a word. Every crime, be it ever so private, injures society; but every crime does not aim at its immediate destruction. Moral, like physical actions, have their limited sphere of activity, and are differently circumscribed, like all the movements of nature, by time and space; and therefore only a sophistical interpretation, which is generally the philosophy of slavery, can confound what eternal truth has distinguished by immutable differences.
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