THREE:Flicit composed some verses all about flowers and friendship, which were pronounced to be very touching, and which she sang dressed up as a shepherdess, having first presented him with a bouquet. She next appeared in a Spanish costume singing a romance composed by her mother, and finally she played the harp, which seems to come in like a chorus throughout all her eventful life.
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THREE:
THREE:Mme. de Clermont had been married at fifteen to the Comte de Choisi, who was much older than herself, and of whom she was dreadfully afraid; but he was killed at the battle of Minden, and she had just married the Comte de Clermont, who was deeply in love with her. She was young, pretty, very capricious, and a friend of Mme. de Montesson, and with all her faults never dull or tiresome, but full of merry talk and amusing stories; the Comtesse de Polignac and the Marquise de Barbantour were also among the ladies of the household [387] with whom Flicit was now associated; two much older ones were the Comtesses de Rochambault and de Montauban.
THREE:The prison of the Carmes was a very different abode to Port Libre, and it was just at its worst time, but still Trzia used afterwards to declare that she, after a time, got accustomed to the horrors of the prison. The constant presence of death made them more and more callous, and they would play games together like children, even enacting the scenes of execution which they had every prospect of going through in reality. Their room, or cell, looked out into the garden, through a grating, into which, however, they could not go; a single mattress in a corner served for their bed.