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ONE:"How do you expect to pay?" asked his master, an officer.

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THREE:Elephants, freshly painted, go past begging.A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.

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THREE:

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THREE:Another fakir, a young man, had come to sit at the elder's feet, and when I had finished my business the "holy man" began to knead his disciple's muscles, wringing and disjointing his arms and dislocating his left shoulder; and, as if in mockery of my distressed expression, he bent the lad's back inwards till his face was between his heels, and left him for a long minute in that torturing position.

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THREE:

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THREE:Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.And under an arcade priests were hanging the shrine with wreaths of pink and yellow flowers, in preparation for its nocturnal progress, while an old woman, all alone, was bathing in the tank, with much splashing and noise of waters. Lorem ipsum dolor sit amet.

THREE:A different scene indeed next day, with none of the magnificence of yesterday, was the temple of magical lights. There was a dense crowd of shouting and begging pilgrims. Along the pyramidal roofs, as at Srirangam, there were rows of painted gods, but in softer and more harmonious hues. Over the tank for ablutions was a balcony decorated in fresco, representing in very artless imagery the marriage of Siva and Parvati. The couple are seen holding hands under a tree; he a martial figure, very upright, she looking silly, her lips pursed, an ing��nue. In another place Siva sits with his[Pg 120] wife on his knees, she has still the same school-girl expression. Finally, on the ceiling, is their apotheosis: they are enthroned with all the gods of Ramayana around them, and she looks just the same. The red and green, subdued by the reflected light from the water, were almost endurable.THE SACRED HILL Lorem ipsum dolor sit amet.

THREE:And then seeing that I did not go, that on wakening again from his dream I was still there, he fixed his eyes on me and caught sight of a medal that I wear. Lorem ipsum dolor sit amet.

THREE:Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the ground��a colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu." Lorem ipsum dolor sit amet.

THREE:Next came a whole row of very small shops, where there was an endless variety of trifles for sale, toys made of wood painted red and green; and finally, on the ground floor of houses ornamented with carvings and slender colonnades, in a cool and shady and silent street, were the sellers of silk and cloth."The mother of Christ." Lorem ipsum dolor sit amet.

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ONE:

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FORE:

FORE:The external decoration is broken by broad flat panels, incised in places so delicately that the patterns look like faded fresco, scarcely showing against the gold-coloured ground of yellow stone. In front of the Kailas stand two tall obelisks, carved from top to bottom with an extraordinary feeling for proportion which makes them seem taller still, and two gigantic elephants, guardians of the sanctuary,[Pg 42] heavy, massive images of stone, worm-eaten by time into tiny holes and a myriad wrinkles, producing a perfect appearance of the coarse skin of the living beast.

FORE:Near this tomb is a stele with the dish on the top of it in which the Koh-i-noor was found. In the crypt of the mosque, at the end of a passage, is a vaulted room lined with stucco and devoid of ornament, and here is the burial place of Akbar, a mound covered with lime. The sarcophagus above, at the foot of which the Koh-i-noor once blazed, is but the replica of this.Then, in a blaze of coloured fire, a fortissimo of music, and a whirlwind of drapery, they stopped exhausted in front of the idol. The lights were put out, the tom-toms were the only sound, and the procession moved on, escorting the shrine which glittered for some time yet, till it disappeared at an angle, leaving the temple in darkness just tinted blue by the moon.

FORE:

FORE:All the day long a solid blue mass melting into rain hid the mountains and darkened the nearer view; and our return journey was made between two grey walls, through which the trees, which sometimes met in an arch overhead, were but dimly visible.

FORE:There was a large encampment round the bungalow that night: tents for the soldiers, and under the vehicles men sleeping on straw; others gathered round the fires, over which hung the cooking-pots, listening to a story-teller; and in a small hut of mud walls, with the door hanging loose, were the two prisoners with no light, watched by three dozing soldiers.Inside, after going through a long array of rooms filled with sham European furniture��handsome chairs and sofas covered with plush, Brussels carpets with red and yellow flowers on a green ground��we came to the throne-room, an enormous, preposterous hall, which, with its rows of cane chairs and its machine-made Gothic woodwork, was very like the waiting-room or dining-room of an American hotel.

FORE:Two men were quarrelling; one had robbed the other. The dispute went on endlessly, and no one, not the priest even, had succeeded in pacifying them. At last an elephant was fetched; he came up without being noticed by the disputants, and trumpeted[Pg 122] loudly just behind them. The thief, convinced that the animal in its wisdom had discovered his crime, took to his heels and fled.And there are ruins all the way to Delhi, whither we returned by the old fortress of Purana Kila, with its pink walls overlooked by a few aerial minarets and more traces of graceful carving, the precursors of the Divan i Khas and Moti Musjid the Pearl Mosque.

ONE:On the sloping bank to the river stood a large wooden mosque falling into ruins. In front of this building was a plot full of tombstones, some overthrown, some still standing on the declivity.

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ONE:[Pg 119]

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ONE:A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.In an ancient mosque, somewhat dilapidated, was an infant-school. Little heaps of stuff, pink and yellow and white, and above them emaciated little faces with large dark eyes that had greenish-blue lights in them, all moving and rocking continually, and spelling aloud out of open books set up on wooden folding desks. The master in his pulpit listened stolidly with half-shut eyes, and detected the mistakes in all this twitter of little voices.

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FORE:A wide open space covered with rubbish heaps was to be seen where the sepoys' barracks had been, and where from the first the men had died of the plague by hundreds. In one garden, a bungalow where a[Pg 303] man had just died was being burnt down��still burning. A party of police were encouraging the fire, and a cordon of native soldiers kept everybody else off.

FORE:The little palace of Nilam Bagh, panelled inside throughout with carved wood, looks like a jewel-casket dropped in a vast park of green shade and[Pg 85] broad lawns. Rawl Shri Bhaosinhji, Rajah of Bhawnagar, is very young, almost a child, and still very shy, dressed in the European fashion in a long grey overcoat, with a voluminous turban of turquoise-blue gauze.

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