Had not this been sufficient to put a stop to all idea of going to France, the sights which met them as the little party entered Turin would have done so.No.The same evening I found on my table a [314] letter carefully enclosed in a double envelope, addressed
FORE:From her earliest childhood Flicit had shown a remarkable talent for music and acting, of which her mother was so proud that she did her best to spoil the child by bringing her forward on every occasion to display her talents. She learned to sing, to play the harp, to recite verses; she was dressed up as an Amour or a Hebe, she acted Iphigenia and Hector and Zaire, and the constant flattery and notice she received evidently and naturally turned her head and laid the foundation of that vanity and self-satisfaction which appears so conspicuously in the records of her life.
THREE:Et les catins et les fripons?The chanoinesses were free to take vows or not, either at the prescribed age or later. If they did not, they had only the honour of the title of Countess and the decorations of the order. If they did, they got one of the dwellings and a good pension, but they could not marry, and must spend two out of every three years there; with the other year they could do as they liked. They might also adopt as a niece a young chanoinesse on condition she always stayed with them and took the vows when she was the proper age. Her adopted aunt might leave her all her jewels, furniture, &c., as well as her little house and pension. One of them wished to adopt Flicit, but her mother would not consent. They stayed there six weeks and then went home, Flicit in despair at leaving the nuns, [354] who petted and loaded her with bonbons, but much consoled by being called Madame.
FORE:Your Majestys orders have been communicated to me.
Among the new friends she found most interesting was Angelica Kaufmann, who lived in Rome, and whose acquaintance she had long desired to make. That distinguished artist was then about fifty years old; her health had suffered from the troubles caused by her unfortunate marriage with an adventurer who had ruined her earlier years. She was now the wife of an architect, whom Lisette pronounced to be like her homme daffaires. Sympathetic, gentle, and highly cultivated, Lisette found her conversation extremely interesting, although the calmness and absence of enthusiasm in her character contrasted strongly with her own ardent, imaginative nature. She showed her several both of her finished pictures and sketches, of which Lisette preferred the latter, the colour being richer and more forcible.Every one crowded to the studio of Mme. Le Brun on Sundays to see the portraits of the Grand Duchesses. Zuboff, seeing the crowd of [136] carriages which, after leaving the palace, stopped before her house, remarked to the EmpressCHAPTER IIIFrom the first moment of this interview Tallien was seized with an overpowering passion for her, which he was compelled to conceal by the presence of the gaoler, who waited to re-conduct the prisoner to her cell, and before whom if he showed either pity or sympathy, in spite of all his power as a leader of the Revolution, he would endanger his own safety and increase her danger. Therefore he only bowed, signed to her to sit down, and took a chair opposite her.De Valence was very handsome and a brave soldier; he emigrated but refused to fight against France; returned, obtained the favour of Napoleon, and retained that of Mme. de Montesson, who more than once paid his debts. He was supposed to be the son of a mistress whom his father adored, and to have been substituted for a dead child born to his fathers wife, who always suspected the truth, never would acknowledge him as her son, nor leave him more money than she could help doing as she had no other children.