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However, she had plenty of interests, and made many English friends besides the numerous French emigrs she found there. She painted the portraits of the Prince of Wales, Lord Byron, the Comtesse de Polastron, adored by the Comte dArtois, who was [151] inconsolable when she died soon afterwards, and many othersEnglish, French, Russian, and Germanand made the acquaintance of the first musicians, actors, and singers of the day; also of the painters, many of whom were extremely jealous of her.

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TWO:Capital letter A

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ONE:The young Emperor and Empress showed the same kindness and friendship to Mme. Le Brun as their parents and grandmother, but the time had come when she was resolved to return to France, and in spite of the entreaties of the Emperor and Empress, of her friends, and of her own regret at leaving a country to which she had become attached, she started in September, 1801, for Paris, leaving her ungrateful daughter, her unsatisfactory son-in-law, and her treacherous governess behind.

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ONE:Very different was the letter of M. de Sillery. He, at any rate, if he had been wrong and mistaken, was ready and willing to pay the penalty.Mme. Vige, or rather Mme. le Svre, had certainly, by her obstinate folly, succeeded in ruining first her own life, then her daughters; for the two deplorable marriages she had arranged, both of them entirely for mercenary reasons, had turned out as badly as possible. Her own was the worst, as the husband she had chosen was the more odious of the two men, and she had no means of escaping from him; but Lisettes was disastrous enough.

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ONE:Next day the destinies of France were in the hands of Calonne.

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ONE:Like many other persons, Mme. de Genlis, though she chose to act in a way that she must have known to be suspicious, even if there had been no real harm in it, made a great outcry when the remarks were made, and conclusions drawn that might have naturally been expected.And the loyal subjects joined in supplication for the captive, desolate child who was now Louis XVII.

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ONE:

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ONE:In the Souvenirs, written in after years, when her ideas and principles had been totally changed by her experience of the Revolution, the beginning of which had so delighted her, she was evidently ashamed of the line she had taken, and anxious to explain it away as far as possible.

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ONE:As time went on and affairs became more and more menacing, Mme. Le Brun began to consider the advisability of leaving the country, and placing herself and her child out of the reach of the dangers and calamities evidently not far distant.
TWO:The ease and gentle gaiety which pervaded these light evening repasts gave them a charm which was never found in a dinner-party; there was a kind of intimacy and confidence amongst the guests, who, being perfectly well-bred people, knew how to dispense with all formality and restraint.

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TWO:PREFACEThe applause with which she was welcomed on entering the salon so overcame her that she burst into tears. Next day those of her friends who had survived the Revolution began to flock to see her. Her old friend, Mme. Bonneuil, was among the first, and invited her to a ball the following night given by her daughter, now the celebrated beauty, Mme. Regnault de Saint-Jean-dAngely, to which she went in a dress made of the gold-embroidered India muslin given her by the unfortunate Mme. Du Barry.
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THREE:The months they spent there were the last of the old life. The vintage went on merrily, the peasants danced before the chateau, little Nomi played with the children, M. de Montagu rode about his farms, meeting and consulting with other owners of neighbouring chateaux, and the news from Paris grew worse and worse. The Duc dAyen was safe, he had been denounced but had escaped to Switzerland, and was living at Lausanne, where Pauline had been to see him from Aix.
There had been no disunion or quarrel between her and the Comte de Genlis; they had always been attached to one another, and no break occurred between them; she continued to be devotedly loved by Mme. de Puisieux, whose death she now had to lament.When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.Tallien was the acknowledged son of the maitre-dh?tel of the Marquis de Bercy, but strongly suspected of being the son of the Marquis himself, who was his godfather and paid his expenses at a college from which he ran away when he was [288] fifteen. Already an atheist and a revolutionist, besides being a lazy scoundrel who would not work, he was, after a violent scene with the Marquis, abandoned by him, after which he quarrelled with his reputed father, a worthy man with several other children, who declined to support him in idleness, and threatened him with his curse. Taisez-vous, mon pre, cela ne se fait plus dans le monde, was the answer of the future septembriseur. His mother, however, interposed, and it was arranged that he should continue to live at home and should study in the office of a procureur. Step by step he rose into notoriety, until he was elected a member of the commune of Paris, where he was soon recognised as one of the most violent of the revolutionists.Their carriage never came, so Mme. de Genlis had to take them home in hers, which appeared about two oclock, and it was half-past three when she arrived at the h?tel de Puisieux, where everybody was up and in a fever of anxiety, thinking she was killed, for they knew what she did not, that hundreds, perhaps thousands, of persons had perished.Her mother was extremely beautiful, of rather an austere character, and very religious. With her the children attended High Mass and the other offices of the Church, especially during Lent; and upon the sensitive, impressionable girl the solemn beauty of the music, and especially the deep notes of the organ, produced an almost overpowering effect. Often as she sat or knelt by her mother the rich, [17] melodious tones echoing through choir and nave in the dim, religious gloom would throw her into a kind of rapture, and end in a passion of tears which she could not always conceal. This intense feeling for music, especially religious music, lasted all her life.
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