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Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the grounda colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."このページの先頭です
ONE:At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.The Rajah being absent we were allowed to see everything. On the upper floor is the Ranee's dressing-room. All round the large room were glass wardrobes, in which could be seen bodices in the latest Paris fashion, and ugly enough; and then a perfect rainbow of tender opaline hues: light silks as fine as cobwebs, shawls of every dye in Cashmere wool with woven patterns, and[Pg 53] gauze of that delicate rose-colour and of the yellow that looks like gold with the light shining through, which are only to be seen in Indiaroyal fabrics, dream-colours, carefully laid up in sandal-wood and stored behind glass and thick curtains, which were dropped over them as soon as we had looked. And crowding every table and bracket were the most childish thingsscreens, cups and boxes in imitation bronze, set with false stonesthe playthings of a little barbarian. A coloured photograph stood on the toilet-table between brushes and pomatum-pots; it represented the mistress of this abode, a slender doll without brains, her eyes fixed on vacancy.
ONE:And again ruins. Under an archway still left standing on piers carved with lilies and foliage, lay a whole family of pariahs covered with leprosy and sores.
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THREE:In a dirty stable, strewn with withered plants, stood some forlorn, sickly-looking beasts, the sacred bulls of Madura.The Prince of Morvi came before sunrise to take us to the temples of Satrunji. On the way we outstripped carts packed full of women and children in light shimmering muslins. They were all making a pilgrimage to the sacred hill, singing shrill chants in time to the jolting of their springless vehicles,[Pg 70] and broken by oaths and imprecations at the stoppages occasioned by our expedition. THREE:The same ubiquitous terminus on a sandy plain, remote from everything; then a drive jolting through bogs, and we reached the dirty, scattered town crowded with people who had collected round a sort of fair with booths for mountebanks, and roundabouts of wooden horses.In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine. THREE:As we go nearer, gothic towers are distinguishable among the buildingsfaint reminiscences of Chester, clumsily revived under the burning light of white Asia.
TWO:As soon as the last customer's beard was trimmed, the barber took down the cage and carried the bird to another spot whence we could hear its scream.
TWO:An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.We set out from Srinagar in an ekka, drawn at a trot by our only horse. The driver, perched on the shaft almost by his steed's side, dressed in green with an enormous pink pugaree, flogged and shouted incessantly. The monotonous landscape went on and on between the poplars that border the road, extending as far as the blue circle of distant Himalayas. The valley was green with the first growth of spring; as yet there were no flowers. And till evening fell, the same horizon shut us in with mountains that seemed to recede from us.

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From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tallthe last remaining vestiges of the rajah's elephant-house.After her another woman repeated the ceremony, and then they went away, still singing. This went on for part of the evening. When it was all over they went to eat rice at the bridegroom's house, and meanwhile the same ceremony had been performed with the bride, whom her neighbours had taken it by turns to anoint and perfume, in a house closed against prying eyes.And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.
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