THREE:But they were returning victorious. The Chiricahuas were subdued. The hazard had turned well. There would be peace; the San Carlos Agency, breeding-grounds of all ills, would be turned over to military supervision. The general who had succeededif he had failed it would have been such a very different storywould have power to give his promise to the Apaches and to see that it was kept. The experiment of honesty and of giving the devil his due would have a[Pg 245] fair trial. The voices that had cried loudest abuse after the quiet soldier who, undisturbed, went so calmly on his way, doing the thing which seemed to him right, were silenced; and the soldier himself came back into his own land, crossing the border with his herds and his tribes behind him. There was no flourish of trumpets; no couriers were sent in advance to herald that the all but impossible had been accomplished.
FORE:The Reverend Taylor sat in silence for a time, reflecting. Then he broke forth again, a little querulously. "What in thunderation do they dine at such an hour for?" Cairness explained that it was an English custom to call supper dinner, and to have it very late.
FORE:
FORE:"I am far from being sure that that is entirely to be desired, very far," said Cairness, with conviction. He had never ceased to feel a certain annoyance at[Pg 319] the memory of that year and a half of Felipa's life in which he had had no part.He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."
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