TWO:So far, Aristotle regards the soul as a function, or energy, or perfection of the body, from which it can no more be separated than vision from the eye. It is otherwise with the part of mind which he calls Nous, or Reasonthe faculty which takes cognisance of abstract ideas or the pure forms of things. This corresponds, in the microcosm, to the eternal Nous of the macrocosm, and, like it, is absolutely immaterial, not depending for its activity on the exercise of any bodily organ. There is, however, a general analogy between sensation and thought considered as processes of cognition. Previous to experience, the Nous is no thought in particular, but merely a possibility of thinking, like a smooth wax tablet waiting to be written on. It is determined to some particular idea by contact with the objective forms of things, and in this determination is raised from power to actuality. The law of moderation, however, does not apply to thought. Excessive stimulation is first injurious and then destructive to the organs of sense, but we cannot have too much of an idea; the more intense it is the better are we able to conceive all the367 ideas that come under it, just because ideation is an incorporeal process. And there seems to be this further distinction between sensation and thought, that the latter is much more completely identified with its object than the former; it is in the very act of imprinting themselves on the Nous that the forms of things become perfectly detached from matter, and so attain their final realisation. It is only in our consciousness that the eternal ideas of transient phenomena become conscious of themselves. Such, we take it, is the true interpretation of Aristotles famous distinction between an active and a passive Nous. The one, he tells us, makes whatever the other is made. The active Nous is like light raising colours from possibility to actuality. It is eternal, but we have no remembrance of its past existence, because the passive Nous, without which it can think nothing, is perishable.
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TWO:"I am coming to that," Lawrence said, lighting a fresh cigarette. "As soon as Bruce was in trouble and the plot began to reel off I saw that it was mine. Of course there were large varyings in the details, but the scheme was mine. It was even laid on the same spot as my skeleton story. When I grasped that, I knew quite well that somebody must have stolen my plot."
