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Very late in the evening came the sound of darboukhas once more. A throng of people, lighted up by a red glow, came along, escorting a car drawn by oxen. At each of the four corners were children carrying torches, and in the middle of the car a tall pole was fixed. On this, little Hindoo boys were performing the most extraordinary acrobatic tricks, climbing it with the very tips of their toes and fingers, sliding down again head foremost, and stopping within an inch of the floor. Their bronze skins, in contrast to the white loin-cloth that cut them across the middle, and their fine muscular limbs, made them look like antique figures. The performance went on to the noise of drums and singing, and was in honour of the seventieth birthday of a Mohammedan witch who dwelt in the village. The car presently moved off, and, after two or three[Pg 49] stoppages, reached the old woman's door. The toothless hag, her face carved into black furrows, under a towzle of white hair emerging from a ragged kerchief, with a stupid stare lighted up by a gleam of wickedness when she fixed an eye, sat on the ground in her hovel surrounded by an unspeakable heap of rags and leavings. The crowd squeezed in and gathered round her; but she sat perfectly unmoved, and the little acrobats, performing in front of her door, did not win a glance from her. And then, the noise and glare annoying her probably, she turned with her face to the wall and remained so. She never quitted her lair; all she needed was brought to her by the villagers, who dreaded the spells she could cast. Her reputation for wisdom and magic had spread far and wide. The Nizam's cousin, and prime minister of the dominion, never fails to pay her a visit when passing through Nandgaun, and other even greater personages, spoken of only with bated breath, have been known to consult her.

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In another hut was a woman, brought hither yesterday with her husband, who had died that morning. She had an exquisite, long, pale face and blue-black hair. On her arms were many[Pg 35] bangles, and gold earrings glittered in her ears. For a moment she opened her large gazelle-like eyes, and then with a very sad little sigh turned to the wall, making her trinkets rattle. She was still dressed in her blue choli. A striped coverlet had been thrown over her; by her bed she had a whole set of burnished copper pans and canisters. Charmingly pretty, and not yet exhausted by the disease, which only declared itself yesterday, she was sleeping quietly, more like a being in a storybook than a plague-stricken creature, who must infallibly die on the morrow under the incapable treatment of the Hindoo "bone-setter."And as they went home at nightfall enormous bats came out and flew across above the tall trees in heavy, steady, straight flight. Without a sound they made for the last gleam on the horizon, where[Pg 98] the vanished sun had left a crimson line; and what an insistent image of death and oblivion were those great black fowl, slowly flapping their five-fingered wings spread out round their bodies, headless as they would seem, so small is the head, and so close-set on the neck. One might fancy that they were bearing away the day, gliding noiseless and innumerable towards the west, where already the last gleam is dead.
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ONE:Between the tracery of bamboos, behind clumps of cedars spreading their level plumes of fine, flexible needles, we still constantly saw the roofs of temples involved in clouds of tiny phosphorescent sparks weaving their maze of light; and the clang of bells and drums fell on the ear. TWO:Amid hanging swathes of creepers, in a fold of the hill stands another temple, of red stone, very gloomy; and, in its depths, a rigid white Buddha, with purple shadows over his eyes of glittering crystal. And so on to temples innumerable, so much alike that, seeing each for the first time, I fancied that I was retracing my steps; and endless little shrine-like recesses, sheltering each its Buddha, make blots[Pg 43] of shadow on the bright ochre-coloured stone of the cliffs. For centuries, in the rainy season, thousands of pilgrims have come, year after year, to take up their abode in these cells, spending the cold weather in prayer and then going off to beg their living and coming back for the next wet season.


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THREE:"Fivesix," said the baboo, hesitating; then,[Pg 194] seeing that I was quite incredulous, "Sometimes more," he added.

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THREE:"He comes now and then," said the baboo, who was our guide; but on my pressing the question this "now and then" remained vague, no day or week could be named.

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THREE:

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THREE:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.
THREE:Under the blinding sunshine reflected from the whitewashed houses, an incredibly mixed crowd, squeezed against the railings of the custom-house wharf, stands staring at the new arrivals. Natives, naked but for a narrow loin-cloth rolled about their hips; Parsees in long white tunics, tight white trousers, and on their heads hideous low square caps of dark wax-cloth, pursuing the stranger with offers of money-changing; Hindoos, clad in thin bright silk, and rolls of light-hued muslin on their head; English soldiers, in white helmets, two of whom stare at me fixedly, and exclaim that, "By Jo', Eddy has missed this steamer!"
THREE:As we returned, vistas of unreal definiteness showed us endless valleys lost in the distance, and vast spaces cultivated in green and russet stripesthe tea plantations that spread below the now vanished splendour of the snows. At a turning in the road stands a cross, erected there in memory of an epidemic of suicide that broke out among the soldiers of the English forta small structure of stone with an iron roof that faces the heaven-scaling range.Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.
THREE:In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.
THREE:From the broad steps on the shore other narrower flights lead to archways and porticoes, or zigzag up to the lanes that make a gap of distant blackness in the light-hued mass of palaces and embankments.
THREE:MADURAIn the evening I was to dine with the officers of the Artillery mess, and in going I lost my way. Suddenly before me stood the amber palace, with blue shadows, moon-coloured, the carvings like opal in changing hues of precious gems. Half hidden by a growth of jasmine that loaded the air with fragrance, up rose the cupolas of the little mosque, like pearls reflecting the sparkle of the stars.

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ONE:At Byculla in the evening we went to Grant Road, the haunt of the street beauties, where the gambling-houses are. At the open windows under the lighted lamps were coarsely-painted women dressed in gaudy finery. In the entries were more of such women, sitting motionless in the attitude of idols; some of them real marvelsthin, slender bronze limbs scarcely veiled in dark, transparent gauze, gold rings round their neck and arms, and heavy nanparas on their ankles.A carriage with four horses, and servants in dark green livery thickly braided with silver, and gold turbans with three raised corners very like the cocked hats of the French Guards, were standing in the Court of Honour. The little princess took a seat between her father and me. To drive out she had put on an incredible necklace with bosses of diamonds and heavy emerald pendants. With her talismans round her neck in little gold boxes, with this necklace of light, and rings of precious stones in her ears, she looked like a too exquisite idol, motionless and silent. It was not till we were returning and the falling night hid her glittering jewels that she chirped a few words, and consented to give me her hand, and even sang a few crystal notes of a favourite song. A little princess of seven years who can already read and write, sew[Pg 69] and embroider, sing in time, and dance as lightly, I should fancy, as a butterfly with her tiny feet, that fidget in her gold slippers when she hears the musicthough, frightened lest the Rajah should make her dance before me, she denied it altogethera little princess, an only child, whom her father takes with him everywhere that she may see something of the world before she is eleven years old, for after that she will never leave her mother's zenana but to marry and be shut up in another harem.
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TWO:High in the air, in the first mausoleum, at the head and foot of the white marble cenotaph, covered with letters that look like creepers, are tablets bearing inscriptions which record the life of the hero; and above the sarcophagus rises an almost impossibly light and airy structurea canopy of white marble supported on columns as slender as flower-stems.

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One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!In the courtyard a tall and gaudy cock was keeping the crows in order, driving them relentlessly away from the kitchen precincts. On the roof of the servants' quarters, always in the same spot, perched a kite, ready to pounce as soon as anything was thrown out. The doves, the house-pigeons, the fowls fled at once and squatted in corners; but the cock stood his ground, his feathers all on end, his crest erect, chuckling with rage and stalking round the yard within ten paces of the bird of prey.[Pg 157]
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