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THREE:"Would I not tell my dream, as nice young men in the Bible always did?"There was a moon somewhere above the snow-clouds that already were beginning to grow thin from the burden they had discharged, and the smug villas on each side of the road were clearly visible. She had to go up the length of Alfred Road, then turn down the street that led by St Thomas��s Vicarage, and emerge into West Street, where she lived with her brother. Already, a fortnight ago he had ascertained the number of their house, not asking for it directly, but causing her to volunteer the information, and since then he had half a dozen times gone through the street, on his way to and from the Stores in order to take a glance at it as he passed. He had wanted to know what the house looked like; he had wanted to construct the circumstances of her life, to know the aspect of her environment, to see the front-door out of which she came to her duties as his secretary. That all concerned her, and for that reason it concerned him. He knew the house well by now: he knew from chance remarks that he had angled for that her bedroom looked into the street, that Charles��s looked on to an old{154} disused graveyard behind. There was the dining-room and the sitting-room in front, and a paling behind which Michaelmas daisies flourished in a thin row. She cared for flowers, but not for flowers in a six-inch bed. They rather provoked her: they were playing at being flowers. She liked them when they grew in wild woodland spaces, and were not confined between a house-wall and a row of tiled path.

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THREE:Near the gateway was a pagoda or tower in seven stories, and it is said to be one of the finest in Japan. The Japanese pagoda is always built in an odd number of stories, three, five, seven, or nine, and it usually terminates, as does the one we are now contemplating, with a spire that resembles an enormous corkscrew more than anything else. It is of copper or bronze, and is a very beautiful ornament, quite in keeping with the edifice that it crowns. On its pinnacle there is a jewel, or something supposed to be one, a sacred emblem that appears very frequently in Japanese paintings or bronze-work. The edges of the little roofs projecting from each story were hung with bells that rang in the wind, but their noise was not sufficiently loud to render any inconvenience to the visitor, and for the greater part of the time they do not ring at all. The architecture of the pagoda is in keeping with that of the surrounding buildings, and thoroughly Oriental in all its features.

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