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The front of the temple is covered with paintings. Decorations in the Persian style divide the panels, on which are depicted the principal scenes from the sacred books of the Brahmins. There are two perfect things to be seen here: two nude female figures standing, one white, the other brown, exquisitely refined in colouring, admirably drawn in a style reminding me of early Italian art; and then, just beyond these, tasteless imitations of chromosgoddesses with eyes too large and a simper like the advertisements of tooth-paste, and some horrible caricatures of English ladies in the fashion of ten years ago holding parasols like a nimbus.On the great banyan trees in the garden, and on every palm, torpid vultures sit in the sun, awaiting the meal that will come with the next funeral procession.
ONE:GWALIORAt the end of a passage that runs round the temple an old woman who had just been bathing was changing her wet saree for a dry one, and appeared quite stripped, dropping her garments, and careful only not to let her face be seen.

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TWO:"Farewell," said he, "and may the Almighty protect you, for you look kind."The game had begun. The prince's cousins, dressed in light white muslin, seemed to fly as they ran after the ball in the fluttering of the diaphanous stuff.

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  • FORE:But for once he was mistaken.We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.

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  • FORE:Squeezed in and crushed between houses that tower above it, rises the pointed dome of Biseshwar Matti, covered with leaves of chased gold; smaller cones surround the principal dome, bristling with tiny pyramids of gold, carved into flowers round statues of Kali with her eight arms, of Ganesa, and of peacocks with spread tails. Under this splendid cupola, dazzlingly bright against the sky,[Pg 156] the temple itself is quite small, and strictly closed against the unbeliever. Some pious hands had hung chains of jasmine and roses above the entrance, and they gave a touch of beauty to the stonework, very old, and soiled with large stains of oil. A sense of intense piety hangs about this sanctuary, subdues every voice, and bends the head of every passer-by in reverence of the mystery, and they all bring flowers.

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  • FORE:Between the tracery of bamboos, behind clumps of cedars spreading their level plumes of fine, flexible needles, we still constantly saw the roofs of temples involved in clouds of tiny phosphorescent sparks weaving their maze of light; and the clang of bells and drums fell on the ear.

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  • FORE:The doors were shut; all was silencethe stillness of the star-lit night.

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  • FORE:At the end of the court, over which enormous bread-fruit trees cast a cool shade, above some steps and a marble terrace where some musicians were performing, stands the holy spot which we dared not go near. In the dim light we could see a square object, red embroidered in goldthe couch of Ram-Royand hanging to the wall a silver curtain. All this, though perhaps it is but tinsel, looked at a distance and in the shadow like brocade and magnificent jewels. Round the main building there are four kiosks dedicated to the Guru's four wives.

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  • FORE:

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THREE:In front of these stolid-looking sepoys, their black heads and hands conspicuous in their yellow uniforms, are drilled to beat of drum, marking every step and movement.

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THREE:The train, now travelling northwards again, ran for a long way across the scorched plain through groves of dead trees and sandhills covered with lichen, till, in the golden sunset close to Gwalior, suddenly, at the foot of a hill, we came upon the greenery of fine parks with palaces rising above cool marble tanks.

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THREE:

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ONE:A large open niche, supported on massive columns and enclosed by a carved parapet, built by some king with a long, high-sounding name, looks as if it were made of gold; the stone is yellow and flooded with sunshine, which, where the hard material is not too thick, shines through and makes it seem transparent, with the peculiar vibrant glow of molten metal. The shadows, blue by contrast, are as soft as velvet; twinkling sparks are lighted up in the angles of the architrave, by the reflected rays, like stars in the stone itself.
FORE:KOHATThe Maharajah was out, at his devotions; I could see everything. Up a staircase with a gilt paper and gilt banisters, leading to rooms where crystal lustres hang like tears above Oxford Street furniture, and lovely chromo-lithographs in massive and glittering frames.

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TWO:There is a very small and simple niche against the wall of a larger building, and in this, without even a railing to protect it, stands the image of a goddess robed in silk embroidered in gold; and in[Pg 78] such another little recess, not far away, is the sister of this divinity, also dressed in magnificent stuffs, renewed by the faithful at each high festival.

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TWO:In the afternoon, while it was still broad daylight and very bright outside, it was already dusk under the arches of the temple, and bats were flitting about.
THREE: THREE: THREE:[Pg 57]The children of the bazaar watched them pass, holding out in their fingers scraps of foodthe remains of cakes, green fruit, or handfuls of rice, and the famishing creatures quarrelled for the morsels, frightening the little ones, who fled. Then they disappeared silently under the awnings, filling the air with a smell of dust and pepper, scaring the pigeons away from the pool for ablutions, and the birds fluttered up in dismay in the rosy sunset glow, seeking some other refuge for the night.
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