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kissed the ring, and handed it round to be kissed by all the rest, who little supposed that it was a portrait of the unfortunate Louis XVII.
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ONE:In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.
ONE:Her dress was a caricature of the latest fashion, her manner was impertinently familiar. She first made a silly exclamation at being addressed as madame instead of citoyenne, then she turned [459] over the books on the table and when at length Mme. de Genlis politely explained that being very busy she could not have the honour of detaining her, the strange visitor explained the object of her visit.
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TWO:CHAPTER VI

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THREE:Mme. de Genlis put Mademoiselle dOrlans into mourning, telling her that it was for the Queen, which she must of course wear, and it was some time before she discovered the truth.
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THREE:Thus happily and peacefully the rest of her life flowed on; her interest in all political and social mattersart, science, and literatureremaining undiminished, her affection for old friends unaltered, while new ones were constantly added to the number, until on May 29, 1842, she died at the age of eighty-seven.

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TWO:Pauline also had something like what would now be called by us a district at Montmartre, not far from the rue Chantereine, where she lived; but she had poor pensioners all over Paris to whom she gave food, firing, clothes, doctors, everything [211] they wanted, and whom she visited constantly. Old and young, good and bad, beggars, prisoners, every sort of distress found a helper in her.THE early years of the childhood of Elisabeth Vige were peaceful and happy enough, and already at a tender age the genius which was to determine and characterise her future life began to appear. According to the usual custom she was placed in a convent to be educated, and though only six years old when she was sent there, she had then and during the five years of her convent life, the habit of drawing and scribbling perpetually and upon everything she could lay her hands on, much to the displeasure of the good Sisters and of her companions.

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THREE:Mme. de Genlis states that one evening while the States-General were sitting, the Duc dOrlans, who was in her salon, declared that they would be of no use and do nothing; not even suppress the lettres de cachet. Mme. de Genlis and the Duc de Lauzun were of a different opinion, and they bet each other fifty louis on the subject. The bet was put into writing and Mme. de Genlis showed it to more than fifty people of her acquaintance, all of whom declared a Revolution to be impossible. The Abb Cesutti, one of the free-thinking school, was editor of a paper called La feuille villageoise, intended for the people. He asked Mme. de Genlis to write for it, and she sent some papers called The Letters of Marie-Anne, in which she introduced doctrines and principles of religion. Soon after the Abb came and asked her in future only to speak of morality and never to mention religion. Knowing what that meant she declined to write any more for that paper.Grassini had sung at her London parties, and comparing these two great singers and actressesboth young, beautiful, and celebratedMme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression.
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THREE:She also was thrown very early into society; but she entered it as a member of one of the greatest families in France, surrounded by an immense number of relations of the highest character and position.The third portrait Mme. Le Brun retained in her own possessionfor she had begun it in September, 1789, when the terrors of the Revolution were beginning. As she painted at Louveciennes they could hear the thunder of the cannonades, and the unfortunate Mme. Du Barry said to her
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THREE:One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her.The theatreRaincyChantillyCalonneAttempt to ruin the reputation of Mme. Le BrunTwo deplorable marriagesFate of Mme. ChalgrinUnder the shadow of deathMme. Du Barry.
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