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At the end of the passage was a sort of den, where, through the open door, I caught sight of a marvellous Indian hanging of faded hues on a pale ground, hidden in places by stains; the noble pattern represented a peacock spreading his tail between two cypresses.

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Past a magnificent railway station, and through a manufacturing district of tall furnaces, we came to the quiet country and the Ganges, bordered with gardens, where creepers in flower hang over the muddy stream stained with iridescent grease and soot.COLOMBO
ONE:Further away was one of the famine-campsestablished all over Indiato afford the means of earning a living to those whom the scourge had driven from their native provinces. TWO:We reached the top of the hill, the sacred enclosure of the Ja?n temples. A stoppage again and a fresh dispute. The priests would not admit within the temples our soldiers, who wore shoes,[Pg 72] belts, and gun-straps made of the skins of dead beasts. The sowars wanted to go on, declaring that they would take no orders from "such men, priests with dyed beards, dressed in red flannel, with their turbans undone and heated with rage."
ONE:This morning, at Peshawur, down come the police on my houseboatthree of themand their leader explains matters. Abibulla interprets.

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THREE:

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THREE:And side by side with history a pleasing legend tells that King Anang-Pal yearned to atone for his faults and redeem the earth from sin. So by the[Pg 220] counsels of a wise Brahmin he caused this vast iron spike to be forged by giants, to be driven into the earth and pierce the serpent Sechnaga, who upholds the world. The deed was done, but because certain disbelieving men denied that the monster was dead, the king caused the weapon to be pulled up, and at the end of it behold the stain of blood; so the iron beam was driven in again. But the spell was brokenthe creature had escaped. The column remained unstable, prefiguring the end of the dynasty of Anang, and the serpent still works his wicked will.

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THREE:Two men were quarrelling; one had robbed the other. The dispute went on endlessly, and no one, not the priest even, had succeeded in pacifying them. At last an elephant was fetched; he came up without being noticed by the disputants, and trumpeted[Pg 122] loudly just behind them. The thief, convinced that the animal in its wisdom had discovered his crime, took to his heels and fled.At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the grounda white mass[Pg 142] dimly lighted by a few lanternsand sang to the music a soft, monotonous chant.

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ONE:The morning mist shrouds everything; the scene insensibly passes through a series of pale tints, to reappear ere long in the clear rosy light, which sheds a powdering of glowing gold on the broad roadstead of Bombay.

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THREE:We were off by break of day. Among hanging creepers, shrubs, and trees, temples, gilded by the rising sun, gleamed dimly through the rosy mist, and faded gradually behind a veil of white dust raised by the flocks coming down from Roza, or melted into the dazzling blaze of light over the distance.

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THREE:In the bazaar a light, glossy cheetah was being led round for an airing. The beast had on a sort of hood of silk stuck with peacock's feathers, which its keeper pulled down over its eyes when it saw a prey on which it was eager to spring; and with its eyes thus blinded, it would lick the hand that gave it an anna with a hot tongue as rough as a rasp.

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THREE:At a station where we stopped, a man with a broad, jolly, smiling face got into the carriage. He was a juggler and a magician, could do whatever he would, and at the time when the line was opened[Pg 90] he threatened that if he were not allowed to travel free he would break the trains into splinters. The officials had a panic, and the authorities were so nervous that they gave way; so he is always travelling from one station to another, living in the carriages.A portico, supporting two stories of an unfinished building, forms the principal entrance; the pilasters are crowned with massive capitals scarcely rough-hewn in the stone. This porch alone gives an impression of repose, from its simplicity of line amid the medley of statues and incongruous ornaments loaded with strong colours, which, diminishing by degrees, are piled up to form each temple, ending almost in a spire against the sky. Vishnu, reclining on the undulating rings[Pg 112] of Ananta Sesha the god of serpents, whose name is the Infinite; idols with human faces riding on bulls, and elephants, and prancing horses; terrible Kalis with two fists rammed into their mouth, and six other arms spread like open wings; Ganesa, the elephant-headed god, ponderously squatting, his hands folded over his stomach; Garudha, the bird-headed god, ridden by Vishnu when he wanders through space; Hanuman, the monkey god, perched on a pedestal in an acrobatic attitude, the face painted bright green; gods of every size and every colour mixed up in a giddy whirl, round and round to the very summit of the structure.

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FORE:On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.CAWNPORE

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FORE:Among the officers was a young lady on horseback, her black habit covered with dust. Instead of the pith helmet that the English ladies disfigure themselves by wearing, she had a straw hat with a long cambric scarf as a pugaree. She was pretty and sat well, and at the last turning she pulled up and watched the men, the ammunition and the baggage all march past, saluted them with her switch, and cantered off to the town of "cottages." I saw her again in the afternoon, taking tea in her garden as she sat on a packing-case among eviscerated bales, and giving orders to a mob of slow, clumsy coolies, who were arranging the house.

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FORE:GWALIOROutside the fortifications is a peaceful township of large gardens with row on row of tombstones and mausoleums; some of enormous size, palaces of the dead, and others smaller, but wrought like lacework of stone. For a league or more the necropolis lies on both sides of the road. Across the door of each mausoleum hangs a chain by the middle and the two ends.

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Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.Under an arcade, lightly tinted with faded colours, and supporting a heavy stone roof elaborately carved, a marble bull stands facing the well which Vishnu touched when he came down from heaven. This is the Court or Well of Wisdom.On the sloping bank to the river stood a large wooden mosque falling into ruins. In front of this building was a plot full of tombstones, some overthrown, some still standing on the declivity.HARDWAR
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