TWO:Similarly, in political science, the analytical method of assuming civil government to result from a concurrence of individual wills, which with Hobbes had served only to destroy ecclesiastical authority, while leaving intact and even strengthening the authority of secular rulers, was reinterpreted by Locke as a negation of all absolutism whatever.Henceforth, whatever our philosopher says about Matter will apply to extension and to extension alone. It cannot be apprehended by sight, nor by hearing, nor by smell, nor by taste, for it is neither colour, nor sound, nor odour, nor juice. Neither can it be touched, for it is not a body, but it becomes corporeal on being blended with sensible qualities. And, in a later essay, he describes it as receiving all things and letting them depart again without retaining the slightest trace of their presence.483 Why then, it may be asked, if Plotinus meant extension, could he not say so at once, and save us all this trouble in hunting out his meaning? There were very good reasons why he should not. In the first place, he wished to express himself, so far as possible, in Aristotelian phraseology, and this was incompatible with the reduction of Matter to extension. In the next place, the idea of an infinite void had been already appropriated by the Epicureans, to whose system he was bitterly opposed. And, finally, the extension of ordinary327 experience had not the absolute generality which was needed in order to bring Matter into relation with that ultimate abstraction whence, like everything else, it has now to be derived.
THREE:In shading drawings, be careful not to use too deep tints, and to put the shades in the right place. Many will contend, and not without good reasons, that working drawings require no shading; yet it will do no harm to learn how and where they can be shaded: it is better to omit the shading from choice than from necessity. Sections must, of course, be shadednot with lines, although I fear to attack so old a custom, yet it is certainly a tedious and useless one: sections with light ink shading of different colours, to indicate the kind of material, are easier to make, and look much better. By the judicious arrangement of a drawing, a large share of it may be in sections, which in almost every case are the best views to work by. The proper colouring of sections gives a good appearance to a drawing, and conveys an idea of an organised machine, or, to use the shop term, "stands out from the paper." In shading sections, leave a margin of white between the tints and the lines on the upper and left-hand sides of the section: this breaks the connection or sameness, and the effect is striking; it separates the parts, [85] and adds greatly to the clearness and general appearance of a drawing.Lawrence desired nothing better. In a few minutes the stones lay on the table. The novelist picked them up, and took from his pocket a small file which he coolly rubbed on the facet of two of the larger stones. Maitrank smiled. Any diamond would stand that test. With a grave look, Lawrence handed the stones back--the tested diamonds were dull and flat.
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FORE:And the how and the why.
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