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THREE:From the sublime to the ridiculous is but a step. A scene followed the king's departure which seems almost incredible. After the service of the second course, the numerous attendants, singers, and even ladies and gentlemen began to press round the royal table, as if prepared for a scramble to possess its contents. The crowd of spectators pressed nearer and nearer. For a moment only covetous eyes were cast on the spoils, as if each were afraid to begin the plunder; but, at last, a rude hand having been thrust through the first ranks, and a golden fork having been seized, this operated as a signal to all, and was followed by a "general snatch." In a short time all the small portable articles were transferred to the pockets of the multitude. The Lord High Chamberlain, hearing of the attack, hastened to the rescue, and[216] with the greatest difficulty saved the more important articles of plate, and had them conveyed to Carlton Garden. Then followed a scene unparalleled in the annals of coronations. The crowds in the galleries had beheld with envy the operations at the banquet. They were very hungry, and very thirsty, and seeing now that Westminster Hall was "liberty hall," they rushed down different stairs and passages, and attacked the viands and the wine. A raging thirst was the first thing to be satisfied, and in a few minutes every bottle on the table was emptied. A fresh supply was soon obtained from the cellarettes. When the ravening selfishness of the hungry crowd was satisfied, the gentlemen recovered their politeness, and began to think of the ladies. Groups of beautiful women then found their way to the tables, and every effort was made to afford them the refreshment of which they stood so much in need. In the meantime, the plunderers took advantage of the confusion to enrich themselves with trophies, breaking and destroying the table ornaments to obtain fragments of things too cumbrous to carry away. Thus, baskets, flowerpots, vases, and figures were everywhere disappearing, and these were followed by glasses, knives, forks, salt-spoons, and, finally, the plates and dishes. The last were engraved with the royal arms and the letters "Geo. IV.," and were therefore specially coveted as memorials. The dirty state of the articles, however, was rather out of keeping with the costly dresses; but the ladies and gentlemen got over the difficulty by wrapping up the articles in their pocket-handkerchiefs. Having thus secured all the spoils they could, they made all possible haste to their carriages. At a subsequent period, it was with the greatest difficulty that the royal plate could be kept from being carried away by the multitude outside when the barriers were removed.

THREE:[269]

THREE:Samuel Taylor Coleridge (b. 1772; d. 1834) published his earliest poems in association with his friends, Wordsworth, Charles Lloyd, and Charles Lamb. But his contributions, especially of the "Ancient Mariner," soon pointed them out as belonging to a genius very different. In his compositions there is a wide variety, some of them being striking from their wild and mysterious nature, some for their elevation of both spirit and language, and others for their deep tone of feeling. His "Geneviève," his "Christabel," his "Ancient Mariner," and his "Hymn in the Vale of Chamouni," are themselves the sufficient testimonies of a great master. In some of his blank verse compositions the tone is as independently bold as the sentiments are philosophical and humane. Besides his own poetry, Coleridge translated part of Schiller's "Wallenstein," and[187] was the author of several prose works of a high philosophical character. Southey was as different from Coleridge in the nature of his poetical productions as Coleridge was from Wordsworth. In his earliest poems he displayed a strong resentment against the abuses of society; he condemned war in his poem on "Blenheim," and expressed himself unsparingly on the treatment of the poor. His "Botany Bay Eclogues" are particularly in this vein. But he changed all that, and became one of the most zealous defenders of things as they are. His smaller poems are, after all, the best things which he wrote; his great epics of "Madoc," "Roderick, the Last of the Goths," "The Curse of Kehama," and "Thalaba," now finding few readers. Yet there are parts of them that must always charm.

THREE:The 21st of January arrived, and Pulteney entered on his great question. There was nothing new to bring forward, but the old charges were dressed up with new force. Walpole defended himself with an ability worthy of his best days. He boldly reminded the Opposition of the long twenty years of defeats in their endeavours to turn him out; he declared their accusations were just as false and groundless as ever; and he proceeded to anatomise the characters of Bubb Doddington and Pulteney in a manner which must have made men of any feeling wince. He was ably supported by Sir William Yonge, by Pelham, and Winnington, but the division showed a majority for the Minister of only three.

THREE:'Purpurea tollant aul?a Britanni;'