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The guardian fakirs who watch the sacred flag sat under a tree in front of the temple. One of these, quite young, was beautiful beyond words. He had taken a vow always to stand. Leaning on a long pole he rocked himself without ceasing; for an instant he allowed his rapt eyes to rest on the bystanders, and then looked up again at the plume of white horse-hair that crowns the flagstaff. His legs were rather wide apart and evidently stiff; he walked without bending his knees, and then as soon as he stood still he rested his chin on his long cane, and swayed his body as before.

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A dome of smoke hangs like a vault over the fires, motionless, veiling the sun. The relations of the dead, sitting on their heels, gaze at the flames with an expression almost of indifference; no one weeps, and they converse calmly in no subdued tones.
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TWO:The front of the temple is covered with paintings. Decorations in the Persian style divide the panels, on which are depicted the principal scenes from the sacred books of the Brahmins. There are two perfect things to be seen here: two nude female figures standing, one white, the other brown, exquisitely refined in colouring, admirably drawn in a style reminding me of early Italian art; and then, just beyond these, tasteless imitations of chromosgoddesses with eyes too large and a simper like the advertisements of tooth-paste, and some horrible caricatures of English ladies in the fashion of ten years ago holding parasols like a nimbus. More info
TWO:Then a man rose, and standing on the bayadres' carpet, he recited, in verses of equal measure, a sort of heroic legend, making his voice big, and emphasizing his words with grand gesticulation. One of the dancers spoke the antistrophe, and this went on interminably, till their voices gradually sank to mere hollow and expressionless intoning, while they swayed their bodies to and fro like children who do not know their lesson.King Zainulmulook has lost his sight, and can recover it only if someone will bring to him a miraculous flower from the garden of Bakaoli. His four sons set out in search of it. Zainulmulook has a fifth son, named Tazulmulook. At the birth of this child the king has had his horoscope cast by the astrologers of the palace, who declared that the king would become blind if he should see his son before his twelfth year; but hunting one day the king has met Tazulmulook, who was walking in the forest, and has lost his sight. More info
TWO:The sarcophagus rests in the depths of a vaulted crypt lighted only by narrow latticed loopholes, and it is shrouded in a mysterious glimmer, a mingling of golden sunbeams and the reflections from the marble walls inlaid with precious stones. More info
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THREE:Then at Peshawur again in the evening, girls, with groups of soldiers in red jackets or Scotch kilts; the common women were horrible, whitened,[Pg 251] with loose shirts and tight-fitting trousers. One alone sat at her window wreathed about with mindi flowers in the crude light of a lamp. The others accosted the passer-by, laughing and shouting in shrill tones.

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THREE:At the back of the room the master of the house squatted on the floor, dressed in green richly embroidered with gold, and on his head was a vase-shaped cap or tiara of astrakhan. Near him, in an armchair, sat a perfectly naked fakir, his breast covered with jade necklaces. His face was of superhuman beauty, emaciated, with a look of suffering, his eyes glowing with rapt ecstasy. He seemed to be entranced, seeing nothing but a vision, and intoxicated by its splendour.

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TWO:Gauze and muslin dresses moved gracefully about against the background of bamboos and roses. Light footsteps scarcely bent the grass; the ripple of talk, with its sprinkling of Indian words, was sweet and musical. Fireflies whirled above the plants making little tendrils of light; there was dreaminess in the airan anticipation of fairyland to which the music seemed the prelude.There are temples all along the shore, poor little structures for the most part. On the walls gaudy borders of crude colour serve to frame chromo-lithographs representing the principal events of the Vedas. There are but one or two sanctuaries built of marble, and very rarely have the idols any precious jewels.

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THREE:Coolies in white turbans were busy round the machines. They are very skilful, but work with determined slowness as a mute rebellion against the humiliating coercion of obeying a thing of wood and iron, and above all of obeying it without stopping, for the ideal of every Hindoo is to do nothing. And this rose to positive martyrdom when, in the absence of our own servants, who were nowhere to be found, one of these craftsmen, a Brahmin, strictly forbidden by his religion ever to touch the food of the disbelievers, or even the[Pg 294] vessels they use, was obliged to make tea for us. Looking utterly miserable, the poor fellow weighed out the leaves, put them into little antique earthenware pots, and poured on the boiling water. A sand-glass marked how long the infusion was to stand. He even brought us some pretty little crackle basins that looked as if they had come out of some old-world convent pharmacy; but the poor man could not bring himself to pour the tea outhe fled.

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THREE:A giant rock and natural fortress command the plain, towering above the garden-land. Two roads, hewn in the stone, lead by easy ascents to the top. All along the rock wall bas-reliefs are carved, warriors riding on elephants, and Kalis in graceful attitudes. There are openings to the green depths of reservoirs, small temples, arcades sheltering idols bowered in fresh flowers. Arches in the Ja?n style of architecture span the road, and at the summit, beyond the inevitable drawbridge, stands Mandir, the palace of King Pal, a dazzling structure of yellow stone, looking as if it had grown on the hill-rock that it crowns with beauty. Towers carrying domed lanterns spring skywards above the massive walls. The decoration is playfully light, carvings alternating with inlaid tiles; and all round the lordly and solemn edifice wheels a procession of blue ducks on a yellow ground in earthenware.When at last the boy was allowed to return to his place in a corner he sat quite still, his eyes staring stupidly and shedding large tears, though not a muscle of his face moved.

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TWO:Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.The forest round Kandy is glorious, an exuberance, a crush of trees growing as thick as they can stand, the dense tangle of boughs and leaves outgrown by some enormous ficus, or tall terminalia, whose sharp, angular roots have pushed through the soil while its trunk, twisting in a spiral, has made its way to a prodigious height, ending a thick dome of foliage. This, again, is overgrown by delicate creepers decking the green mass with their flowers. Spreading banyans, with a hundred stems thrown out like branches and ending in roots, form colonnades of a rosy grey hue like granite, and might seem to be the vestiges of some colossal church with a dark vault above, scarcely pierced here and there by a gleam of blue light from the sky beyond. Among these giants of the forest dwells a[Pg 131] whole nation of bending ferns as pliant as feathers, of clinging plants hanging in dainty curtains of flowers from tree to tree. Sometimes between the screen of flowers a bit of road comes into view, deep in impalpable brick-red dust, of the same tint as the fruits that hang in branches from the trees.

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"Then twenty-eight?"And once more in a barge on the Ganges. The atmosphere seemed faintly iridescent, like mother-of-pearl, the silence serenely lulled by the distant sound of a flute. The palaces and temples, reflected in the still water, looked in the distance like forts crowned with turrets of gold, and their little windows like loopholes. The broad stairs of the quays, where the priests' umbrellas glitter, assumed a spacious, unfamiliar dignity, the red colour shading paler towards the bottom, where it was washed off by the lapping Ganges, looking as though a fairy hanging of gauze were spread under the wavelets in honour of the Apsaras and the divinities of the river.At the railway station a woman, who would accept no gratuity, strewed flowers on the cushions of my carriage, and put garlands along the grooves of the open windowsbunches of ebony flowers, of Indian cork-flowers, lilies, and China roses on the point of dropping, only hanging to the calyx by the tip of the petals.Then a fat native lawyer began to speak, and silence fell on the crowd of three or four hundred listeners sitting behind the accused, as if they were in church. The monotonous voice went on and on, urging every plea.
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