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THREE:We now pass to a form of supernaturalism more characteristic than any other of the direction which men’s thoughts were taking under the Roman empire, and more or less profoundly connected with all the other religious manifestations which have hitherto engaged our attention. This is the doctrine of immortality, a doctrine far more generally accepted in the first centuries of the Christian era, but quite apart from Christian influence, than is supposed by most persons. Here our most trustworthy information is derived from the epigraphic monuments. But for them, we might have continued to believe that public opinion on this subject was faithfully reflected by a few sceptical writers, who were, in truth, speaking only for themselves and for the numerically insignificant class to which they belonged. Not that the inscriptions all point one way and the books another way. On the contrary, there are epitaphs most distinctly repudiating the notion of a life beyond the grave, just as there are expressions let fall by men of learning which show that they accepted it as true. As much might be expected from the divisions then prevailing in the speculative world. Of all philosophical systems, Epicureanism was, at this time, the most widely diffused: its adherents rejected the belief in another world as a mischievous delusion; and many of them seem to have carefully provided that their convictions should be recorded on their tombs. The monument of one such philosopher, dedicated to eternal sleep, is still extant; others are dedicated to safe repose; others, again, speak of the opposite belief as a vain imagination. A favourite epitaph with persons of this school runs as follows:—‘I was nothing and became, I was and am no more, so much is true. To speak otherwise is to lie, for I shall be no more.’358 Sometimes,234 from the depths of their unconsciousness, the dead are made to express indifference to the loss of existence. Sometimes, in what was popularly believed to be the spirit of Epicureanism, but was, in reality, most alien to it, they exhort the passer-by to indulge his appetites freely, since death is the end of all.

THREE:Louis was succeeded for the time by the Duke of Orleans as Regent, who had other views, and was surrounded by other influences than the old king. He had secured the Regency in opposition to Madame Maintenon and the royal bastards. He changed all the ministers, and was not inclined to risk his government by making enemies of the English abroad, having sufficient of these at home. He had been for some time cultivating the good offices of the present English Government, which had offered to assist him with troops and money, if necessary, to secure the Regency. He had seen a good deal of the new Secretary of State, Stanhope, in Spain, and still maintained a correspondence with him. Lord Stair, the British Ambassador, therefore, was placed in a more influential position with the Regent, and the Pretender and his ministers were but coldly looked on."They have their good traits, sir," said the man, civilly, "and chief among them is that they mind their own business."

THREE:He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage à la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."

THREE:The effects of the growth in our commerce and manufactures, and the consequent increase of the national wealth, were seen in the extension of London and other of our large towns. Eight new parishes were added to the metropolis during this period; the Chelsea Waterworks were established in 1721; and Westminster Bridge was completed in 1750. Bristol, Hull, Liverpool, Manchester, Birmingham, Sheffield, Leeds, Edinburgh, Glasgow, Frome, Dublin, and several other towns, grew amazingly.

THREE:But for Newcastle to form a Cabinet was no such easy matter. Pitt refused to take office with him unless he had the whole management of the war and foreign affairs. The king then agreed to send for Henry Fox, who accepted the office of Chancellor of the Exchequer; but Newcastle was so sensible of Fox's unpopularity that he was terrified at undertaking an Administration with Fox and without Pitt, though he was equally reluctant to let a Cabinet be formed without the former. For three months the fruitless endeavours to accomplish a Ministry went on, Parliament sitting all the time, and a great war commencing. Finally, the king and Newcastle were compelled to submit to the terms of "the Great Commoner," as they called Pitt, who became Secretary of State, with the management of the war and foreign affairs. Newcastle became again First Lord of the Treasury, but without one of his old supporters, and Legge Chancellor of the Exchequer; Holderness, a mere cipher, was the other Secretary of State; Anson was placed at the head of the Admiralty; Lord Temple was made Lord Privy Seal; and Pratt, an able lawyer and friend of Pitt, Attorney-General. Fox condescended to take the office of Paymaster of the Forces; and thus, after a long and severe struggle, the feeble aristocrats, who had so long managed and disgraced the country, were compelled to admit fresh blood into the Government in the person of Pitt. But they still entertained the idea that they only were the men, and that wisdom would die with them. One and all, even the otherwise sagacious Chesterfield, prognosticated only dishonour and ruin for such a plebeian appointment. "We are no longer a nation," said Chesterfield; "I never yet saw so dreadful a prospect."The character of Geronimo, as already manifested, was not one to inspire much confidence, nor was his appearance one to command respect. The supposititious dignity of the savage was lacking entirely. The great chief wore a filthy shirt and a disreputable coat, a loin-cloth, and a dirty kerchief wound around his head. His legs were bare from the hips, save for a pair of low moccasins. His whole appearance was grotesque and evil.