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Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.
ONE:All the men carry fighting quails in little cages made of a net stretched over a wooden tray and cone-shaped at top. Towards evening, in the shade of the houses, at the street corners, in the courtyardseverywhere, there is a group betting on the chances of a fight. The birds taken out of the cages at first turn slowly round each other, their beaks close together. Then a spring, a flutter of wings and flying feathers; the quails strike and peck, aiming at the head, and then suddenly they seem quite indifferent and turn round and round again, picking up grain from the ground. When a[Pg 284] bird is killed at the end of a battle, its eyes blinded and its breast torn open, it is considered a fine, a noble spectacle, and amateurs will talk of it for a long time. As a rule, after a few rounds one of the birds tries to get away. Then its owner pricks its neck with a knife, and the gasping creature dies slowly in the dust, the blood oozing drop by drop.

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TWO:Entering by one of the fourteen gates in the ramparts of stone blocks scarcely hewn into shape, the city of palaces and mosques is found in ruins, matching the fortifications, without any decoration,[Pg 225] and all of the same cold grey hue, like a city of prisons.

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ONE:Above the mausoleum a fort with battlements towers over the pass, "an impregnable position," the guides tell us.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:BHAWNAGAR

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.The colouring in all these rock-temples is a softened harmony of yellow stone, hardly darkened in some places, forming a setting for the gaudier tones of the idols, all sparkling with gold and showy frippery.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:But at Byculla, in Grant Road, the street of gambling-houses, there was a glare of lights; gaudy lanterns were displayed at the windows where spangles and tinsel trinkets glittered. And then, between two brightly illuminated houses where every window was wide open, there was the dark gap of a closed house, in front of it a pan of sulphur burning. The green and purple flame flickered grimly on the faces of the passers-by, making their dhotis look like shrouds wrapping spectres.

ONE:

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.Then follow more trays with tufts of jasmine stuck into the heart of a pink rose; and as the guest takes one of these bouquets the servant sprinkles first the flowers and then him with rose-water.



FORE:A port crowded with steamers taking in coal, and very light barks high out of the water, kept in equilibrium by parallel outriggers at the ends of two flexible spars. These crank boats, made of[Pg 124] planks that scarcely overlap, were piled with luggage, and the boatmen jostle and turn and skim close under the fast-steaming transatlantic liners, amid a bewildering babel of shouts and oaths, under a sun hot enough to melt lead.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:After passing through the town, all flowery with green gardens, at the end of a long, white, dusty road, where legions of beggars followed me, calling me "Papa" and "Bab," that is to say father and mother, I arrived at the residence of the Gaekwar, the Rajah of Baroda. At the gate we met the palace sentries released from duty. Eight men in long blue pugarees and an uniform of yellow khakee (a cotton stuff), like that of the sepoys, with their guns on their shoulders, looked as if they were taking a walk, marching in very fantastic step. One of them had a bird hopping about in a little round cage that hung from the stock of his gun. Three camels brought up the rear, loaded with bedding in blue cotton bundles.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:Two or three thousand haggard and fleshless beings were digging or carrying earth to form an embankment for a railway or a road. With arms scarcely thicker than the handles of the tools they wielded, the labourers gasped in the air, tired in a minute, and pausing to rest in spite of the abuse of the overseers. Emaciated women, so small in their tattered sarees, carried little baskets on their heads containing a few handfuls of earth, but which they could scarcely lift. One of them, wrinkled and shrunken, looked a hundred years old tottering under her load; on reaching the spot where she was to empty out the soil, she leaned forward a little and let the whole thing fall, indifferent to the dust which covered her and filled her mouth and eyes; and after taking breath for a moment, off she went again as if walking in her sleep.

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:Between the cliff-walls of the defile, in a sort of bay, stands Ali Musjid, a little white mosque where travellers tarry to pray.Ekkas, and chigrams closed with thick curtains, came galloping past with loud cries from within. All was noise and a shifting of many colours, seeming more foolish here, in this large island, with its deserted avenues of tall trees, than anywhere else.

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:Through the half-open doors in the courtyards bones were bleaching, almost buried under the fine powder that lies on everything. And from this dust, as we trod it, rose a sharp smell of pepper and smoke. Twisted branches drooped forlorn from the skeletons of a few trees that were left standing. Parasitic creepers had woven a flowing robe of tangle over a statue of Kali, left unbroken in front of a small temple in ruins; and all over the withered[Pg 198] and faded growth the fine white dust had settled in irregular patterns, a graceful embroidery rather thicker in the folds.Outside Bombay, at the end of an avenue of tamarind trees, between hedges starred with lilac and pink, we came to Pinjerapoor, the hospital for animals. Here, in a sanded garden dotted with shrubs and flowers, stand sheds in which sick cows, horses and buffaloes are treated and cared for.[Pg 26] In another part, in a little building divided into compartments by wire bars, poor crippled dogs whined to me as I passed to take them away. Hens wandered about on wooden legs; and an ancient parrot, in the greatest excitement, yelled with all his might; he was undergoing treatment to make his lost feathers grow again, his hideous little black body being quite naked, with its large head and beak. In an open box, overhung with flowering jasmine, an Arab horse was suspended to the beams of the roof; two keepers by his side waved long white horsehair fans to keep away the flies. A perfect crowd of servants is employed in the care of the animals, and the litter is sweet and clean.

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ONE:

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:The view spread to the horizon of mauve-pink sky, very faintly streaked with green. We could see the white mass of Secunderabad, a town of English barracks, at the foot of chaotic red-brown rocks, looking like the heaped-up ruins of some city of the Titans; and among trees shrouded in blue smoke, Hyderabad, conspicuous for its two mosquesthe tomb of the Empress and the Jumna Musjid, the mausoleum of the Nizams.


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ONE:The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Elloraa vale of pagodas, "the happy valley"have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.[Pg 12]



FORE:The guards' band played Indian tunes, to a measure I could not yet catch, and Strauss' waltzes very oddly accented. Suddenly the princess appeared,[Pg 84] in soft rose-pink lightly touched with blue. She wore a pearl necklace with slides of ruby and emerald, shoes thickly worked with gold, and a broad pink sash somewhat darker in colour than her silver-striped tunic.DOMEL
Published Aug 30.
TWO:Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:
Published Aug 28.
TWO:Two or three thousand haggard and fleshless beings were digging or carrying earth to form an embankment for a railway or a road. With arms scarcely thicker than the handles of the tools they wielded, the labourers gasped in the air, tired in a minute, and pausing to rest in spite of the abuse of the overseers. Emaciated women, so small in their tattered sarees, carried little baskets on their heads containing a few handfuls of earth, but which they could scarcely lift. One of them, wrinkled and shrunken, looked a hundred years old tottering under her load; on reaching the spot where she was to empty out the soil, she leaned forward a little and let the whole thing fall, indifferent to the dust which covered her and filled her mouth and eyes; and after taking breath for a moment, off she went again as if walking in her sleep.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




CRAFTED IN NEW YORK, USA.

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Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.

Some Address 987,

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Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.


THREE:We set out from Srinagar in an ekka, drawn at a trot by our only horse. The driver, perched on the shaft almost by his steed's side, dressed in green with an enormous pink pugaree, flogged and shouted incessantly. The monotonous landscape went on and on between the poplars that border the road, extending as far as the blue circle of distant Himalayas. The valley was green with the first growth of spring; as yet there were no flowers. And till evening fell, the same horizon shut us in with mountains that seemed to recede from us.

Some Address 987, NY
+34 9884 4893
+34 59855 9853
agency@blacktie.co
@blacktie_co
BlackTie Agency

THREE:But at Byculla, in Grant Road, the street of gambling-houses, there was a glare of lights; gaudy lanterns were displayed at the windows where spangles and tinsel trinkets glittered. And then, between two brightly illuminated houses where every window was wide open, there was the dark gap of a closed house, in front of it a pan of sulphur burning. The green and purple flame flickered grimly on the faces of the passers-by, making their dhotis look like shrouds wrapping spectres.

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THREE:Every year pilgrims set up the tallest tree from the neighbouring jungle in front of the sanctuary, and twist round it an enormous red flag. The[Pg 291] mast now standing was at least a hundred feet high, and held in place by guys attached to banyan trees and houses standing near. Close to the ground ties of coloured worsted, the offerings of the faithful, held the crimson hanging to the pole.

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FORE:
The Cingalese women, of languid gait, wear a long dark robe clinging about their legs and reaching to the ground. The poorer women have only a scanty saree to complete the costume; the more wealthy display stockings and boots; a white bodice cut low, with open sleeves and no basque leaves a roll of skin visible between the skirt and the bodice. The men wear a long loin-cloth of English trouser-stuff, a white jacket buttoned over the bare skin, and a twist of back hair like a woman's, in which they stick a celluloid comb, coronet-fashionsuch a comb as is used in Europe[Pg 125] to keep the hair back from a child's forehead. And all the race are too slender, too pliant, their eyes too long and slightly darkened with kohl; the boys especially have an unpleasant, ambiguous look.We reached the top of the hill, the sacred enclosure of the Ja?n temples. A stoppage again and a fresh dispute. The priests would not admit within the temples our soldiers, who wore shoes,[Pg 72] belts, and gun-straps made of the skins of dead beasts. The sowars wanted to go on, declaring that they would take no orders from "such men, priests with dyed beards, dressed in red flannel, with their turbans undone and heated with rage."
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