THREE:On Sunday, April 19, 1795, therefore, she left Vienna and went by Prague to Dresden, where she was of course enraptured with the world-famed gallery, and above all with the chef d?uvre of Raffaelle, the Madonna di San Sistothat vision of beauty before which every other seems dim and pale. She spent five days at Berlin, stayed a few [123] days more at the castle of her old friend Prince Henry of Prussia, and arrived at St. Petersburg late in July, very tired and exhausted with the journey in an uncomfortable carriage over roads so bad that she was jolted and flung about from one great stone to another from Riga to St. Petersburg, until her only longing was to be quiet and rest.The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.
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