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In caves and unsunned hollows of the earth,Plutarch, who was twenty-one when Nero declared his country free, was the first leader in the great Hellenist revival, without, at the same time, entirely belonging to it. He cared more for the matter than for the form of antiquity, for the great deeds and greater thoughts of the past than for the words in which they were related and explained. Hence, by the awkwardness and heaviness of his style, he is more akin to the writers of the Alexandrian period than to his immediate successors. On the one side, he opens the era of classical idealism; on the other, he closes that of encyclopaedic erudition. The next generation bore much the same relation to Plutarch that the first Sophists bore to Hecataeus and Herodotus. Addressing themselves to popular audiences, they were obliged to study perspicuity and elegance of expression, at the risk, it is true, of verbosity and platitude. Such men were Dion Chrysostom, Her?des Atticus, Maximus Tyrius, and Aristeides. But the old models were imitated with more success by writers who lived more entirely in the past. Arrian reproduced the graceful simplicity270 of Xenophon in his narrative of the campaigns of Alexander and his reports of the lectures of Epicttus. Lucian composed dialogues ranking with the greatest masterpieces of lighter Attic literature. The felicity of his style and his complete emancipation from superstition may probably be traced to the same sourcea diligent study of the ancient classics. It is certain that neither as a writer nor as a critic does he represent the average educated taste of his own times. So far from giving polytheism its deathblow, as he was formerly imagined to have done, he only protested unavailingly against its restoration.Nor was this all. Thought, after having, as it would seem, wandered away from reality in search of empty abstractions, by the help of those very abstractions regained possession of concrete existence, and acquired a far fuller intelligence of its complex manifestations. For, each individual character is an assemblage of qualities, and can only be understood when those qualities, after having been separately studied, are finally recombined. Thus, biography is a very late production of literature, and although biographies are the favourite reading of those who most despise philosophy, they could never have been written without its help. Moreover, before characters can be described they must exist. Now, it is partly philosophy which calls character into existence by sedulous inculcation of self-knowledge and self-culture, by consolidating a mans individuality into something independent of circumstances, so that it comes to form, not a figure in bas-relief, but what sculptors call a figure in the round. Such was Socrates himself, and such were the figures which he taught Xenophon and Plato to recognise and portray. Character-drawing begins with them, and the Memorabilia in particular is the earliest attempt at a biographical analysis that we possess. From this to Plutarchs Lives there was still a long journey to be accomplished, but the interval between them is less considerable than that which divides Xenophon from his immediate predecessor, Thucydides. And when we remember how intimately the substance of Christian teaching is connected with the literary form of its first record, we shall still better appreciate the all-penetrating influence of Hellenic thought,158 vying, as it does, with the forces of nature in subtlety and universal diffusion.
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As a matter of fact, Balmayne's cab passed Lawrence a minute or two later. The latter smiled as if well pleased with himself.It seemed incredible, but there it was, and there it will be again so long as human cupidity and human greed exist. Maitrank was the only man who was silent over his losses. He had been a fool, but the money was gone, and there was no reason why he should betray his folly aloud to the world.It is worthy of remark that in the Platonic Er?s we have the germor something more than the germof Aristotles whole metaphysical system.135 According to the usual law of speculative evolution, what was subjective in the one becomes objective in the other. With Plato the passion for knowledge had been merely the guiding principle of a few chosen spirits. With Aristotle it is the living soul of Nature, the secret spring of movement, from the revolution of the outermost starry sphere to the decomposition and recomposition of our mutable terrestrial elements; and from these again through the whole scale of organic life, up to the moral culture of man and the search for an ideally-constituted state. What enables all these myriad movements to continue through eternity, returning ever in an unbroken circle on themselves, is the yearning of unformed matterthat is to say, of unrealised powertowards the absolute unchanging actuality, the self-thinking thought, unmoved, but moving every other form of existence by the desire to participate in its ineffable perfection. Born of the Hellenic enthusiasm for beauty, this wonderful conception subsequently became incorporated with the official teaching of Catholic theology. What had once been a theme219 for ribald merriment or for rhetorical ostentation among the golden youth of Athens, furnished the motive for his most transcendent meditations to the Angel of the Schools; but the fire which lurked under the dusty abstractions of Aquinas needed the touch of a poet and a lover before it could be rekindled into flame. The eyes of Beatrice completed what the dialectic of Plato had begun; and the hundred cantos of her adorer found their fitting close in the love that moves the sun and the other stars.No, Dick agreed. I didnt. Youll find the man who did up at the house."Well, perhaps not," Maitrank admitted. "But I had them in my possession."

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