ONE:Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features.He pushed back his chair.
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ONE:"I went to sea from New Bedford when I was twelve years old, and kept at whaling for near on to twenty-seven years. From cabin-boy, I crept up through all the ranks, till I became captain and part owner, and it was a good deal of satisfaction to me to be boss of a ship, I can tell you. When I thought I had had enough of it I retired, and bought a small farm. I stocked and ran it after my own fashion, called one of my oxen[Pg 60] 'Port' and the other 'Starboard,' had a little mound like my old quarter-deck built in my garden, and used to go there to take my walks. I had a mast with cross-trees fixed in this mound, and used to go up there, and stay for hours, and call out 'There she blows!' whenever I saw a bird fly by, or anything moving anywhere. I slept in a hammock under a tent, and when I got real nervous I had one of my farm-hands rock me to sleep in the hammock, and throw buckets of water against the sides of the tent, so's I could imagine I was on the sea again. But 'twasn't no use, and I couldn't cure myself of wanting to be on blue water once more. So I left my farm in my wife's hands, and am going out to Shanghai to command a ship whose captain died at Hong-Kong five months ago.
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FORE:One piecee deaf man makee best look-see.'They passed the gateway and entered the temple. The huge building towered above them with its curved roof covered with enormous tiles, and its eaves projecting so far that they suggested an umbrella or the over-hanging sides of a mushroom. Frank admired the graceful curves of the roof, and wondered why nobody had ever introduced them into architecture in America. The Doctor told him that the plan had been tried in a[Pg 128] few instances, but that architects were generally timid about innovations, and, above all, they did not like to borrow from the Eastern barbarians. Fred thought they ought to be willing to take anything that was good, no matter where they found it, and Frank echoed his sentiment.
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FORE:Rose considered. "That's not as good as making runs though."