THREE:On Sunday, April 19, 1795, therefore, she left Vienna and went by Prague to Dresden, where she was of course enraptured with the world-famed gallery, and above all with the chef d?uvre of Raffaelle, the Madonna di San Sistothat vision of beauty before which every other seems dim and pale. She spent five days at Berlin, stayed a few [123] days more at the castle of her old friend Prince Henry of Prussia, and arrived at St. Petersburg late in July, very tired and exhausted with the journey in an uncomfortable carriage over roads so bad that she was jolted and flung about from one great stone to another from Riga to St. Petersburg, until her only longing was to be quiet and rest.Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.
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ONE:Comment! on the contrary? What do you mean? Tell me.
ONE:
ONE:At first all went on prosperously. The Marquis de Fontenay did not belong to the haute noblesse, but his position amongst the noblesse de robe was good, and his fortune was at any rate sufficient to enable Trzia to entertain lavishly, and to give [272] ftes which caused a sensation even at Paris, while her beauty became every day more renowned.[337]
