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TWO:

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THREE:[193]

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THREE:��That��s a good description,�� the detective chuckled.He felt altogether reckless. In just such a mood, he reflected, his grandmother had probably poisoned her first husband. He could almost have poisoned Landor, the big duty-narrowed, conventional, military machine. Why could he not have married some one of his own mental circumspection?��Mrs. Campbell, for instance. He had watched that affair during his enlistment. More the pity it had come to nothing. Landor could have understood Mrs. Campbell. Then he thought of Felipa, as he had seen her first, looking full into the glare of the sunset, and afterward at him, with magnificent impersonality.

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TWO:232

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THREE:The new general was hailed by the territories as deliverer until he found the truth and told it, after which they called him all manner of hard names, for that is the sure reward of the seeker after fact. He prepared for war, seeing how things were, but he tried for peace the while. He sent to the bucks who lurked in the fastnesses and strongholds, and said that he was going out alone to see them. He left his troops and pack-train, and with two interpreters and two officers repaired to the ca?on of the Black River, where he scrambled and slid, leading his scrambling,[Pg 178] sliding mule down the precipices of basalt and lava among the pines and junipers.

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THREE:Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.��Oh, couldn��t he?��

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THREE:FIVE-GUINEA PIECE OF GEORGE I.[366]

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THREE:He went upon the sick report at once, and for three days thereafter raved of crucified women with fair hair, of children lying dead in the ca?on, of the holes in his boot soles, and a missing aparejo, also of certain cursed citizens, and the bad quality of the canned butter.144

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