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The Duc de Chartres came and joined them at Tournay, where Mademoiselle dOrlans was taken dangerously ill with a bilious fever. She recovered slowly, but in January, 1793, letters from France brought the news of the execution of Louis XVI., of the infamous part played by Philippe-galit, and of the imminent danger of M. de Sillery.Caresne was a painter and poet whose poems and pictures were bad, but his conversation amusing. He wrote the following verses to Lisette, whose rapid progress and intelligence made her seem to be already passing out of childhood into girlhood:But the changed aspect of Paris, the loss of so many she loved, and perhaps most of all the ungrateful conduct of her daughter, depressed Mme. Le Brun so that she lost her spirits, had a perpetual craving to be alone, and for this purpose took a [150] little house in the wood of Meudon, where, except for the visits of the Duchesse de Fleury and one or two other friends who lived near, she could to a certain extent indulge in her new fancy for solitude.
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    • ONE:Lisette was enchanted at this, as she knew that M. Le Brun had rooms full of the most splendid pictures of all the different schools, to which she would thus have constant access. And her anticipations were more than realised, for M. Le Brun was completely fascinated by her, and only too delighted not only to show her the pictures, but to lend her any she liked to copy.For the same reason he had, at the beginning of his career, married Josphine, Vicomtesse de Beauharnais; it was true, as he afterwards declared that he loved her better than he ever loved any woman; but all the same he had decided that his wife must be of good blood, good manners, and good society; and although Josphine was by no means a grande dame, she was in a much better position than himself; and her childrens name, her social connections, her well-bred son and daughter, the charming manners and savoir faire of all three were then and for long afterwards both useful and agreeable to him.

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    • ONE:She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: I am painting your eyes now, or would insist on the portrait being done with the eyes looking in another direction.

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    TWO:It is true! I have not my cocarde! No doubt I must have forgotten it and left it on my night-cap.Tallien had no wish to separate from Trzia. He cared more for her than she for him, but he saw that her love was gone; he had failed with her as with everything else. He submitted, and begged to be allowed to accompany Napoleon to Egypt, why, no one could understand, unless he feared he might share the fate of Billaud-Varennes, Collot dHerbois, Barre, and other of his regicide friends, meditating at Cayenne upon the result of the Revolution. [108]

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    THREE:Of course she thought all these denunciations most unjust and astonishing. Why, she asked, should they call her a savage fury, and abuse her in this way?

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    THREE:Mme. S was carrying on a liaison with Calonne, who was very much in love with her and very often at her house; she was also sitting for her portrait to Mme. Le Brun, who looked upon her as a pretty, gentle, attractive woman, but thought the expression of her face rather false.
  • FORE:The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle dOrlans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.As the fatal car passed through the streets, for the third time his relentless enemy stood before him, and as a slight delay stopped the car close to him, he called out
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  • FORE:It was time. The day before they left a stone was thrown in at the window just where Mademoiselle dOrlans had been sitting; if it had struck her it might have killed her. It struck her hat which she had hung on the top of a chair. A shower of stones followed, breaking the windows and arousing the Duc de Chartres and their only manservant, who [447] had gone to bed, and who rushed out into the garden, but only in time to hear the hurrying foot-steps of the escaping rascals.
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    THREE:By this time, however, she had made up her mind to marry an homme de qualit, who belonged to the court. What she then wished was to marry a certain M. de la Popelinire, whom she thought combined the advantages she desired, though he was nothing more illustrious than a fermier gnral, besides being an old man. However, her admiration [360] was not sufficiently returned for him to be of the same opinion.

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    THREE:Amongst others who arrived were the Duchesse de Fleury and Princesse Joseph de Monaco. The latter was a gentle, charming woman, whose devotion to her children was the cause of her death. After having escaped from France and arrived safely in Rome, she was actually foolish enough to go back to Paris with the idea of saving the remains of her fortune for her children. The Terror was in full force; she was arrested and condemned. Those who wished to save her entreated her to declare herself enceinte, by which many women had been spared. She would anyhow have gained a reprieve, and as it happened her life would have been saved, as the ninth Thermidor was rapidly approaching. But her husband was far away, and she indignantly refused, preferring death to such an alternative.

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    The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.[262]He had been dead about four years when Mme. Le Brun arrived in Russia, but was still talked of as a sort of magician. His niece, the Countess Scawronska, said to herThe Princess remarking on this extravagance, he said in a low voiceThe last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barrire de ltoile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them.
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