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Amongst other absurd inventions it was reported that she had given a supper in the Greek style which had cost twenty thousand francs. This story had been repeated first at Versailles, then at Rome, Vienna, and St. Petersburg, by which time the sum mentioned had risen to eighty thousand francs.The Marchale dEtre, daughter of M. de Puisieux, died, and left all her large fortune, not to the spendthrift Marquis de Genlis, but to the Count, who, finding himself now very rich, wished to retire from the Palais Royal and live on his estates, and tried to induce his wife to accompany him. He said with truth that her proper and natural place [412] was with him, and he tried by all means in his power to persuade her to do what one would suppose a person constantly talking of duty, virtue, self-sacrifice, and the happiness of retirement, would not have hesitated about.
ONE:Mme. de Genlis had friends amongst old and new, French and foreign. The Vernets, Mme. Le Brun, Mme. Grollier, Gros, Gerard, Isabey, Cherubini, Halvy, all the great singers and musicians were among her friends. She lived to see the first years of the brilliant, too short career of Malibran. Pasta, Grassini, Talma, Garat, and numbers of other artistic celebrities mingled with [481] her literary friends. The household of Isabey was like an idyl. He had met his wife in the Luxembourg gardens, a beautiful girl who went there to lead about her blind father. They married and were always happy though for a long time poor. But the fame of Isabey rose; he was professor of painting at the great school of Mme. Campan, where every one under the Empire sent their daughters. He painted Josphine and all the people of rank and fashion, and received them all at his parties in his own h?tel. Mme. Isabey lived to be eighty-eight, always pretty and charming. Her hair was white, she always dressed in white lace and muslin, and had everything white in her salon, even to an ivory spinning wheel.

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TWO:God gives me strength, she wrote to him, and He will support me; I have perfect confidence in Him. Adieu; the feeling for all I owe you will follow me to heaven; do not doubt it. Without you what would become of my children? Adieu, Alexis, Alfred, Euphmie. Let God be in your hearts all the days of your lives. Cling to Him without wavering; pray for your father: do all for his true happiness. Remember your mother, and that her only wish has been to keep you for eternity. I hope to find you again with God, and I give you all my last blessing.

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TWO:Among the new friends she found most interesting was Angelica Kaufmann, who lived in Rome, and whose acquaintance she had long desired to make. That distinguished artist was then about fifty years old; her health had suffered from the troubles caused by her unfortunate marriage with an adventurer who had ruined her earlier years. She was now the wife of an architect, whom Lisette pronounced to be like her homme daffaires. Sympathetic, gentle, and highly cultivated, Lisette found her conversation extremely interesting, although the calmness and absence of enthusiasm in her character contrasted strongly with her own ardent, imaginative nature. She showed her several both of her finished pictures and sketches, of which Lisette preferred the latter, the colour being richer and more forcible.
THREE:The castles and estates of their family had all passed into the hands of strangers, the Chateau de Bouzolz was in ruins, so was Plauzat, where all the town came out to meet and welcome them with the greatest affection, and where they succeeded in buying back a good deal of land, but the chateau [261] in which they had spent such happy days was uninhabitable.

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THREE:The royalist sympathies and associations of Mme. Le Brun made her particularly obnoxious to the Radical party, to whom lies and calumnies were all welcome as weapons to be used against political opponents. She was therefore assailed by shoals of libels, accusing her of a liaison with M. de Calonne, by people who were absolutely unknown to her.

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TWO:M. Le Brun was just then building a house in the rue Gros-Chenet, and one of the reports spread was that M. de Calonne paid for it, although both M. and Mme. Le Brun were making money enough to afford themselves much greater expenditure than that.

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Speaking of Pulchrie in her journal, Mme. de [410] Genlis, it may be remarked, does not venture to lavish upon her the unstinted praises which she pours upon her sister; but remarks that when she left her care and entered society on her marriage, she had the most excellent ideas and sentiments, the purest mind, and the highest principles possible.In an agony of terror Pauline sprang out of the carriage and implored him to tell her the worst, for she could bear it.No, Madame, replied Casanova, he was a painter who amused himself by being ambassador.Alexander, afterwards Alexander I., resembled his mother in beauty and charm of character; but Constantine was like his father, whose eccentric, gloomy disposition seemed to foreshadow the fate which lay before him. His strange, unbalanced nature alternated between good and evil; capricious and violent, he was yet capable of kindness and generosity.The Duke was at his wits end, there were [423] scenes and interviews and negotiations without end, but he and Mme. de Genlis were forced to give way.She was preceded by a cross-bearer between two acolytes bearing tall candles, and followed by a dozen assistants, with veils down and crossed hands; all the lay sisters of the abbey were ranged round their ladies in large grey capes, carrying lighted torches in those beautiful gothic lanterns, with the arms of the royal abbeys emblazoned in stained glass, which are used in processions at night round the cloisters. Never in modern romances have I seen anything so [373] romantic and picturesque as that nocturnal scene.
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