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Another fakir, a young man, had come to sit at the elder's feet, and when I had finished my business the "holy man" began to knead his disciple's muscles, wringing and disjointing his arms and dislocating his left shoulder; and, as if in mockery of my distressed expression, he bent the lad's back inwards till his face was between his heels, and left him for a long minute in that torturing position.

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And to and fro on the ramparts, the sentry, in an uniform of the same hue as the sun-baked bricks, paced his beat, invisible but for a needle of light on his fixed bayonet; till when crossing a patch of light he was seen like an apparition, lost again in the shadow of the wall.
THREE:

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THREE:Inside the temple was the fragrance of fresh flowers, brought as offerings, with grains of rice threaded like semi-transparent beads on the flexible pale green stem. A huge Buddha here, of many-coloured stones bedizened with gold, gleams in the[Pg 128] shade of the altar, and two bonzes in front of the idol were quarrelling at great length, with screams like angry cats and vehement gesticulations, for the possession of some small object which constantly passed from one to the other.

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THREE:Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.

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FORE:In the hotel compoundmore absurd than all the rest, lost in a waste of open land beyond the seething native townthere was a swarm of coolie servants, their wives and their children, who played all day at climbing about the coaches put up under the trees. And, without ceasing, a maddening hubbub of laughter and crying came up from this litter of brats, more weariful than the silence of vacancy all around.

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FORE:The ancient palace of the kings of Lahore. Amid the ruins there is a mosque of red stone flowered[Pg 236] with white marble, the cupola of a material so milky that it might be jade; and the structure is mirrored in a pool of clear water, dappled with sun-sparks over the rose-coloured stones at the bottom.

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THREE:Broad streets crossing each other at right angles; houses, palaces, archways flanked by towers, and colonnades, all alike covered with pink-washed plaster decorated with white. And all the buildings have the hasty, temporary appearance of a town run up for an exhibition to last only a few months.

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THREE:At our feet were the two walls, the outer wall enclosing the palace, the gardens, the arena, where fights were given between elephants and tigers; the inner wall, ten metres high, built round the zenanathe women's palaceof which even the foundations have almost disappeared under the overwhelming vegetation.Outside the palace is a large garden, devoid of shade, with pools of water bowered in flowers and shrubs that shelter myriads of singing birds. At the end of the park is a tank full of crocodiles. A keeper called the brutes, and they came up facing us in a row, their jaws open to catch the food which the Rajah amuses himself by throwing to them.
THREE:Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.

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A poor old fellow, behind a grating that shut him into a kind of hovel, called out to us, first beseeching and then threatening, rushing frantically to the back of his hut and at once coming forward again with fresh abuse. He was a dangerous madman, placed there to keep him out of mischief and to be cured by the Divinity.A smart affair altogether is this carriage! two very high wheels, no springs, a tiny cotton awning[Pg 269] supported on four sticks lacquered red, and sheltering the seat which has three ropes by way of a back to it. Portmanteaus and nosebags are hung all round, and even a kettle swings from the near shaft, adding the clatter of its cymbal to the Indian symphony of creaking wheels, the cracking whips, the driver's cries of "Cello, cello," and Abibulla's repeated "Djaldi," all intended to hurry the horse's pace.For our noonday rest I took shelter under a wood-carver's shed. On the ground was a large plank in which, with a clumsy chisel, he carved out circles, alternating with plane-leaves and palms. The shavings, fine as hairs, gleamed in the sun, and gave out a scent of violets. The man, dressed in white and a pink turban, with necklaces and bangles on his arms of bright brass, sang as he tapped with little blows, and seemed happy to be alive in the world. He gave us permission to sit in the shade of his stall, but scorned to converse with Abibulla."And no medicine?"The whole mausoleum, the terrace on which it stands, the four minarets as tall as light-towers, are all in dead white marble, the whiteness of milk and opal, glistening with nacreous tints in the brilliant sunshine under a sky pale with heat and dust.
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