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THREE:"Know, then, 'twas I;

FORE:The repulse of the French in their attack on Holland, and their repeated defeats in Belgium, which will be mentioned in the next chapter, induced the French Government to make overtures for peace with Britain, but in a secret and most singular way. Instead of an open proposal through some duly-accredited envoy, the proposals came through a Mr. John Salter, a public notary of Poplar. This notary delivered to Lord Grenville two letters from Lebrun the French Foreign Minister, dated the 2nd of April, stating that France was desirous to accommodate its differences with Britain, and, provided the idea was accepted, M. Marat should be sent over with full powers, on passports being duly forwarded. A Mr. John Matthews, of Biggin House, Surrey, attested that these notes were perfectly genuine, and had been signed in the presence of himself and Mr. John Salter. Lord Grenville, suspecting a correspondence coming through so extraordinary a medium, and believing that the design of the French was only to gain time, in order to recover their losses, took no notice of the letters. Moreover, as the Jacobins were then following up their attacks on the Girondists from day to day, he saw no prospect of any permanence of this party in power. In fact, they were expelled by the 2nd of June, and on the 22nd of that month Lebrun was in flight to avoid arrest. Marat arrived, but held no communications with Grenville, and very shortly returned to France. Soon afterwards came indirect overtures through Dumouriez to our ambassador, Lord Auckland, but they were too late. War had been declared. FORE:At the period at which we have now arrived France was in a state of the wildest and most awful convulsion. A revolution had broken out, more terrible and furious than had ever yet appeared in the history of nations. The French people, so long trodden down by their princes, their aristocracy, and their clergy, and reduced to a condition of wretchedness and of ignorant brutality, almost unparalleled, seizing the opportunity of the distresses of the impoverished Government, and encouraged by a new race of philosophers who preached up the equality of the human race, had broken through their ancient subserviency, and were pulling down all the old constituted powers, ranks, and distinctions, with a rapidity which electrified the whole world.Fielding (b. 1707; d. 1754) began his career by an attempt, in "Joseph Andrews," to caricature the "Pamela" of Richardson. He represented Joseph as Pamela's brother; but he had not proceeded far when he became too much interested in his own creation to make a mere parody of him. This novel he produced in 1742, the year after the completion of "Pamela." The following year he gave to the world "Jonathan Wild;" in 1749, "Tom Jones;" and in 1751, but three years before his death, at the age of only forty-seven, "Amelia." But, besides a novelist, Fielding was a dramatic writer, a political writer, and the editor of four successive periodicals��The Champion, The True Patriot, The Jacobite Journal, and The Covent Garden Journal. Fielding, unlike Richardson, was educated at Eton, and afterwards at Leyden. He had fortune, but he dissipated it; and had the opportunity of seeing both high and low life, by his rank as a gentleman and his office as a police-magistrate. His novels are masterly productions. His squire Western and parson Adams, and his other characters are genuine originals; and they are made to act and talk with a raciness of humour and a flow of wit that might even yet render them popular, if their occasional grossness did not repel the reader of this age. It is, indeed, the misfortune of Fielding, Sterne, and Smollett, that they lived in so coarse and debauched an epoch; their very fidelity now renders them repulsive. Richardson and Fielding were the Dickens and Thackeray of their day. In Fielding, the colder nature and the more satiric tone make the resemblance to Thackeray the more striking.