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The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.

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THREE:Wide strands of golden sand; here and there among the rice-fields the palms and bamboos are less crowded. In the moist air, that grows hotter and hotter, the daylight is blinding, hardly tolerable through the blue glass of the windows. Scorched, russet rocks stand up from the short grass, tremulous in the noontide heat. The cattle, the very birds, silent and motionless, have sought shelter in the shade; all the people have gone within doors. And then, towards evening, in an oasis of gigantic trees, amid bamboos and feathery reeds, behold the huge temples of Madura, in sharp outline against a rosy sky. FORE:

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FORE:There are closed carriages, victorias, vehicles with a red canopy drawn by oxen, the shafts set at an angle. The drivers bawl, shout to the porters, fight for the fare with their whips, while, overhead, kites and hawks wheel incessantly, uttering a plaintive cry.
FORE:"He comes now and then," said the baboo, who was our guide; but on my pressing the question this "now and then" remained vague, no day or week could be named.
FORE:Toglackabad, again an ancient Delhi, a rock on the bank of the Jumna after crossing a white desert; walls of granite, massive bastions, battlemented towers of a Saracen stamp, rough-hewn, devoid of ornament, and uniform in colourbluish with light patches of lichen. The enclosure has crumbled into ruin, in places making breaches in the walls, which nevertheless preserve the forbidding aspect of an impregnable citadel.
FORE:Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet.Round a village well, enclosed by walls with heavy doors that are always shut at night, a perfect flower-bed of young women had gathered, slender figures wrapped in robes of bright, light colours, drawing water in copper jars. The sunbeams, dropping between the leaves of a baobab tree that spread its immense expanse of boughs over the well, sparkled on their trinkets and the copper pots, dappling the gaudy hues of their raiment with flickering gold.
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A dome of smoke hangs like a vault over the fires, motionless, veiling the sun. The relations of the dead, sitting on their heels, gaze at the flames with an expression almost of indifference; no one weeps, and they converse calmly in no subdued tones.
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