ONE:��The social existence of Mme. de Genlis,�� writes Mme. d��Abrant��s, [115] ��is always a problem difficult to resolve; it is composed of a mass of contradictions, one more extraordinary than the other. Of a noble family, whose name and alliances gave her the right to be chanoinesse of the Chapter of Alix, she was called until her marriage Comtesse de Lancy. She married M. de Genlis, a man of high rank, nearly related to most of the great families in the kingdom, and yet Mme. de Genlis had never in society the attitude of a grande dame.... The important part this woman played in the destinies of France is of such a nature that one must notice it, more especially as she denies a mass of facts, the most notorious of the time in which her name is mixed up, ... pretending never to have spoken to men of whom she must not only have been an acquaintance but a friend. Long before the first outbursts of the Revolution, Mme. de Genlis helped to prepare the influence which afterwards burst like an accursed bomb, covering with its splinters even the woman who had prepared the wick and perhaps lighted the match. FORE:After a very few months she married the Marquis de la Haie, who had been the page and then the [355] lover of the infamous Duchesse de Berri, eldest daughter of the Regent d��Orl��ans.

ONE: FORE:

ONE:��Sire, when are these two pictures to be exhibited?��[238]

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THREE:Their first house in Paris was a sort of imitation cottage, after the execrable taste of the day, in the Champs-Elys��es, from which they moved into a h?tel in the rue de la Victoire, which was for some time the resort of all the chiefs of their political party, and the scene of constant contention between the Thermidoriens and the remnants of the Montagne. The discussions were generally political, and often violent; they would have been abhorrent to the well-bred society of former days.

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ONE:Au banquet de la vie �� peine commenc��

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THREE:The Louvre, then filled with works of art��the [148] plunder of the rest of Europe��was naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, ��Liberty, Equality, and Fraternity,�� which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former days��in her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.

ONE:Two or three years before the marriage of the [170] young M. and Mme. d��Ayen, his father the Duke, who was captain in the gardes-du-corps, [62] was consulted by one of the guards of his regiment, who in much perplexity showed him a costly snuff-box which had been mysteriously sent him, and in which was a note as follows: ��Ceci vous sera pr��cieux; on vous avertira bient?t de quelle main il vient.�� [63]Mme. de Bouzolz delighted in novels, balls, and all the amusements natural to her age; was affectionate, good-hearted, rather thoughtless, but with no harm in her. She soon became devoted to Pauline, and fell a great deal under her influence.

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.get in touch

��What! You have no means of proving to me that you have been unjustly placed on the list?��

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The long galleries of pictures and statues, the lovely churches filled with gems of art, the stately palaces and gardens, the cypress-crowned heights of San Miniato, and the whole life there, were enchanting to Lisette. She had been made a member of the Academy at Bologna; she was received with great honour at Florence, where she was asked to present her portrait to the city. She painted it in Rome, and it now hangs in the Sala of the great artists in the Uffizi. In the evening she drove along the banks of the Arno��the fashionable promenade, with the Marchesa Venturi, a Frenchwoman married to an Italian, whose acquaintance she had made. Had it not been for her anxiety about what was going on in France she would have been perfectly happy, for Italy had been the dream of her life, which was now being realised.The boy, however, drew on with unconcern, finished the body of the horse, drew the upper portion of the legs, and then with a few strokes of the pencil indicated water at the bottom of the sheet, and gave the impression of a horse bathing his legs and feet. [12]

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