ONE:I admit the soft impeachment
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ONE:
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ONE:A JAPANESE TEMPLE. A JAPANESE TEMPLE.Which are the bluebells? he asked.
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ONE:"From whom? from Harry Helm? Oh, Gholson, that's too fantastical!"
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ONE:He was half disappointed, half pleased. But, wisely, he gave up the idea of conveying to her that there was anything more than business for him in her working among his books. If she understood that her handling them, her passing hours in his room, her preparing his catalogue was something so utterly different from what it would have been if any one else was doing it for him, she would have found the hint of that in what he had said. If she did notwell, it was exactly there that the disappointment came in. He pulled his chair a little nearer to the table again, where his work lay.The day, as Miss Propert had already discovered in her little stuffy den, was exceedingly hot and airless, and Keeling, when he had passed through the reverberating square and under the arch leading into the Cathedral Close, found it pleasant to sit down on one of the benches below the elm-trees, which soared loftily among the tombs of the disused graveyard facing the west front of the Cathedral. Owing to Miss Properts rapidity in typewriting he had left the Stores half an hour earlier than usual, and here, thanks to her, was half an hour of leisure gained, for which he had no imperative employment. The quiet gray graves with head-stones standing out from the smooth mown grass formed his foreground: behind them sprang the flying buttresses of the nave. They were intensely different from the decorations of the town-hall; they had, as he for all his ignorance in architecture could see, an obvious purpose to serve. Like the arm of a strong man akimbo, they gave the sense of strength, like the legs of{84} a strong man they propped that glorious trunk. They were decorated, it is true, and the decoration served no useful purpose, but somehow the carved stone-work appeared a work of love, a fantasy done for the pleasure of its performance, an ecstasy of the hammer and chisel and of him who wielded them. They were like flames on the edge of a smouldering log of wood. He felt sure that the man who had executed them had enjoyed the work, or at the least the man who had planned them had planned them, you might say, for fun. Elsewhere on the battlemented angles of the nave were grotesque gargoyles of devils and bats and nameless winged things with lead spouts in their mouths to carry off the rain-water from the roof. Commercially they might perhaps have been omitted, and a more economical device of piping have served the same purpose, but they had about them a certain joy of execution. There was imagination in them, something that justified them for all their nightmare hideousness. The people who made them laughed in their hearts, they executed some strange dream, and put it up there to glorify God. But the man who perpetrated the little pink granite pilasters on the town-hall, and the man who painted the lilies on the looking-glass above Mrs Keelings drawing-room chimney-piece had nothing to justify them. The lilies and the pilasters were no manner of good: there was a difference between them{85} the flying buttresses and the gargoyles. But the latter gave pleasure: they paid their dividends to any one who looked at them. So did the verses in Omar Khayyam to those who cared to read them. They were justified, too, in a way that No. 1 drawing-room suite was not justified for the 117 that, with extras, it cost the purchaser.
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