THREE:BEAUS AND BELLES OF THE REGENCY PERIOD.De Crillon, seeing that his bombardment from shore produced little effect, determined to make the attack also from the sea. Amongst the multiplicity of inventions which the offered rewards had produced, the Chevalier D'Arcon, a French engineer, had produced a scheme which excited the most confident expectations. The plan was to construct ten monster floating batteries of such capacity that they should carry the heaviest artillery, and so made and defended that they could be neither sunk nor burnt. Loud was the clangour of hammer and saw, and, as the secret could not be long preserved, equally busy was the garrison within, preparing furnaces, and laying ready huge piles of balls, to be discharged red-hot at these machines as soon as they arrived. To constitute the intended batteries, ten large ships of from six hundred to one thousand four hundred tons burden were cut down, and made bombproof on the top. They were to be prevented from sinking by the enormous thickness of the timber in their bottoms, and their sides, which were to be six or seven feet thick, bolted, and covered with raw hides. They were to be rendered more buoyant by thicknesses of cork, and the interstices were to be filled with wet sand to prevent combustion. There were to be plentiful supplies, by means of pumps, pipes, and cisterns, of water, everywhere, to put out fire, for they seem to have been aware of the burning balls that were being prepared for them.

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THREE:During this protracted agony of suspense and alarm business was almost at a standstill. Nobody seemed to think or talk of anything but the rebellion��the chances of success and the possibility of having to submit to a republic. There could not be a more striking proof of the inability of Lord Clarendon to cope with this emergency than his dealings with the proprietors of the World, a journal with a weekly circulation of only 500 or 600 copies, which subsisted by levying blackmail for suppressing attacks on private character. It was regarded as a common nuisance, and yet the Lord-Lieutenant took the editor into his confidence, held private conferences with him on the state of the country, and gave him large sums for writing articles in defence of law and order. These sums amounted to ��1,700, and he afterwards gave him ��2,000 to stop an action in the Court of Queen's Bench. Mr. Birch, the gentleman in question, was not satisfied with this liberal remuneration for his services; the mine was too rich not to be worked out, and he afterwards brought an action against Sir William Somerville, then Chief Secretary, for some thousands more, when Lord Clarendon himself was produced as a witness, and admitted the foregoing facts. The decision of the court was against Birch; but when, in February, 1852, the subject was brought before the House of Commons by Lord Naas, the Clarendon and Birch transactions were sanctioned by a majority of 92.

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THREE:Contemporary with Cowper was Mrs. Tighe, the author of "Psyche," an allegorical poem, in which the beauty of the sentiment made acceptable that almost exploded form of composition. But there was at this period a number of writers who had much more false than true sentiment. The euphuism of the reign of Queen Elizabeth broke forth in another fashion. A kind of poetical club was formed at Batheaston, the residence of Lady Miller, near Bath. She and her guests, amongst whom was Miss Seward, wrote verses, which they published under the title of "Poetical Amusements." A still more flaunting school set themselves up amongst the English at Florence, one of whom, a Mr. Robert Merry, dubbed himself "Della Crusca," whence the clique became known as the "Della Cruscan School." Amongst the members of it figured Mrs. Piozzi, the widow of Thrale the brewer, Boswell, Johnson's biographer, Mary Robinson, the younger Colman, and Holcroft, the dramatist, with others of less name. They addressed verses to each other in the most florid and extravagant style under the names of "Rosa Matilda," "Laura Maria," "Orlando," and the like. The fashion was infectious; and not only were the periodicals flooded by such silly mutual flatteries, but volumes were published full of them. Gifford, the editor of the Quarterly Review, and translator of Juvenal, attacked this frenzy in a satire called the "Baviad," and continued the attack in the "M?viad," which, however, was more particularly a censure on the degraded condition of the drama. This put an end to the nuisance, and Gifford won great fame by it; though, on referring to his two celebrated satires, we are surprised at their dulness, and are led to imagine that it was their heaviness which crushed these moths of literature. Gifford had himself a great fame in his day, which was chiefly based on his formidable position as editor of the Quarterly Review.

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