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GARHIShops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.Along the line were hedges of glaucous aloes, of[Pg 106] gynerium all plumed with white, and over every plant an inextricable tangle of baja, its pink flowers hanging in bunches.
Slider 1 ONE:He, with his four sons, goes to pay a call on Tazulmulook, whom he does not recognize in his palace, when suddenly Dilbar arrives to claim her prisoners. The fifth son then relates to the king the deeds of his elder brothers, and in proof of his words points to the mark each of them bears on his neck. The king anathematizes the princes, and sends them to prison, but loads Tazulmulook with honours and affection.The scenery was preposterous: red and green flowers growing on violet boughs, with forests in the background of pink and yellow trees; perspective views of streets, in which the houses were climbing over each other, and finally a purple cavern under a brilliant yellow sky.
Slider 2 ONE:"No."They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.
Slider 3 ONE:In the middle of a large garden outside the town was the visitors' bungalow, the divan, where the prince's prime minister received us, and made us welcome on behalf of his master. Hardly were we seated when in came the Rajah, driving two wonderful horses drawing a phaeton. Dressed in a long black coat over very narrow trousers of white muslin, Gohel Sheri Man Sinjhi wore a turban, slightly tilted from the left side, and made of hundreds of fine pale green cords rolled round[Pg 65] and round. The Prince of Morvi, and another of the Rajah's cousins, followed in perfectly appointed carriages, drawn by thoroughbreds. Last of all, carried by an attendant from her landau to the large reception-room where we sat gravely in a circle, came a little princess of seven years old, the Rajah's daughter. Enormous black eyes with dark blue lights, her tawny skin a foil to her jewels, and the gold and silver embroidery of a little violet velvet coat open over a long tunic of green silk, trousers of pink satin, and yellow leather slippers. A plum-coloured cap, worked with gold trefoils, was set very straight on her black hair; she wore, in her ears, slender rings of gold filigree, and had a nose-stud of a fine pearl set in gold. She stood between her father's knees, squeezing close up to him with downcast eyes, never daring to stir but when we seemed to be paying no heed to her.After passing the temples and tombs that surround the Khoutab, the town of ruins lies scattered over the plain of pale sand and withered herbage.
ONE:In the close-shut room the air, loaded with scent and smoke, was quite unbreathable; musicians playing behind a partition added to the irritating effect of all this perfume and noise.

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THREE:In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.

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ONE:

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THREE:The song of birds in the mitigated atmosphere of the dying day came in from outside, for a moment almost drowning the pleader's weariful tones as he poured forth his statement, emphasized by sweeping gestures.

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THREE:A Ja?n temple. A confusion of ornament, carved pillars, capitals far too heavy, with a medley of animals, gods and flowers, under a roof all graven and embossed. In the sanctuary, where the walls are riddled with carving, is an enormous Buddha of black marble decked out with emeralds, gold beads and rare pearls, hanging in necklaces down to his waist. A large diamond blazes in his forehead above crystal eyes, terrifically bright. Every evening all this jewellerythe gift of Hati Singh, a wealthy Ja?n merchant who built the templeis packed away into a strong-box, which we were shown in the cellar.

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THREE:Then two children, their pretty, fresh voices in unison, sang some womanly songs, languishing ballads, swinging to a very indefinite rhythm, and suggestive of slow dances and waving gauze scarves in flowery gardens under the moonlight.

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THREE:

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ONE:At the railway station thousands of people had collected to take leave of a great turbaned moollah from Mecca, dressed in yellow silk. Long after we had left Darjeeling the faithful ran by the side of the carriage to kiss his hand, on which blazed an enormous diamond cut in a cone; and all along the road, when the train going downhill went too fast for anyone to keep up with it, Moslem natives bowed and prostrated themselves in the road, shouting words of Godspeed to the holy man. And at one stopping-place a little carpet was spread, on which he took off his shoes and prayedhurried through his last prostrations by the whistle of the locomotive.TRICHINOPOLY

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THREE:DELHI

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THREE:LAHORE

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THREE:"You know it is pashmina?"

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THREE:The hills are left behind us; the plateau of Cashmere spreads as far as the eye can see, traversed by the glistening Jellum, that slowly rolling stream, spreading here and there into lakes.

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ONE:When the road was made through Bunnoo a pile of stones was heaped up in the middle of the village. The Moslems finally persuaded themselves that this was a saint's grave; and they come hither to perform their devotions, planting round it bamboo flagstaffs with pennons, and adding to the mound the stones they piously bring to it day by day.

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TWO:At the last moment some porters, preceded by two sowars in uniform and holding pikes, bore a large palankin, hermetically closed, to the door of a first-class carriage, and softly set it down. The carriage was opened for a moment: I could see within a party of women-servants, shrouded in white muslin, who were preparing a couch. An old negress handed out to the porters a large sheet, which they held over the palankin, supporting it in such a way as to make a covered passage screening the carriage door. There was a little bustle under the sheetthe end was drawn in, and the sheet fell over the closed door.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.

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TWO:Past the buildings, and palaces with gardens enclosed behind pierced stonework, and then across fresh green fields full of flowers, under the shade of banyans and palm trees, we reached the temple of the monkeys. This temple, dedicated to the fierce and bloodthirsty goddess Durga, is painted all over of a vivid red colour, blazing in the sunshine with intolerable brightness. Inside the sanctuary a black image of the goddess may be seen, mounted on her lion, and flowers are arranged about her in radiating lines mingled with gold thread, and producing very much the effect of a theatrical sun. In the [Pg 162]forecourt, on the carvings and the roof of the temple monkeys swarm, rushing after each other, fighting for the grains of maize that are thrown to them, and tormenting the wretched mangy dogs that seek refuge in the temple precincts, where they, too, are kept alive by the faithful.

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ONE:Another magnificent temple, with marble arcades wrought to filigree, curved in frilled arches, on spindle-like columns that soar to support the cupolas, as light as flower-stems. A gem of whiteness and sheen in the desert of ruins where yet stand three matchless marvels: the tower of Khoutab, the gate of Alandin, and the column of Dhava.Beyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.

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When the dead are to be honoured in this land each true believer lays a pebble as homage on the tomb, and the dead man's repute is estimated by the size of the pile of stones that covers him.[Pg 27]We visited a temple where the natives treasure the couch of the Guru Ram-Roy, a very holy and much venerated fakir.
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