TWO:Lucretius has been called Romes only great speculative genius. This is, of course, absurd. A talent for lucid ex101position does not constitute speculative genius, especially when it is unaccompanied by any ability to criticise the opinions expounded. The author of the De Rerum Natura probably had a lawyers education. He certainly exhibits great forensic skill in speaking from his brief. But Cicero and Seneca showed the same skill on a much more extensive scale; and the former in particular was immensely superior to Lucretius in knowledge and argumentative power. Besides, the poet, who was certainly not disposed to hide his light under a bushel, and who exalts his own artistic excellences in no measured terms, never professes to be anything but a humble interpreter of truths first revealed to his Greek instructors vivid intellect. It has, indeed, been claimed for Lucretius that he teaches a higher wisdom than his acknowledged guide.195 This assertion is, however, not borne out by a careful comparison between the two.196 In both there is the same theory of the universe, of man, and of the relations connecting them with one another. The idea of Nature in Lucretius shows no advance over the same idea in Epicurus. To each it expresses, not, as with the Stoics, a unifying power, a design by which all things work together for the best, but simply the conditions of a permanent mechanical aggregation. When Lucretius speaks of foedera Naturai, he means, not what we understand by laws of nature, that is, uniformities of causation underlying all phenomenal differences, to understand which is an exaltation of human dignity through the added power of prevision and control which it bestows, but rather the limiting possibilities of existence, the barriers against which human hopes and aspirations dash themselves in vainan objective logic which guards us against fallacies instead of enabling us to arrive at positive conclusions. We have here the pervadingly negative character of Epicureanism,102 though probably presented with something of Roman solemnity and sternness. The idea of individuality, with which Lucretius has also been credited, occupies but a small place in his exposition, and seems to have interested him only as a particular aspect of the atomic theory. The ultimate particles of matter must be divided into unlike groups of units, for otherwise we could not explain the unlikenesses exhibited by sensible objects. This is neither the original Greek idea, that every man has his own life to lead, irrespective of public opinion or arbitrary convention; nor is it the modern delight in Natures inexhaustible variety as opposed to the poverty of human invention, or to the restrictions of fashionable taste. Nor can we admit that Lucretius developed Epicurean philosophy in the direction of increased attention to the external world. The poet was, no doubt, a consummate observer, and he used his observations with wonderful felicity for the elucidation and enforcement of his philosophical reasoning; but in this respect he has been equalled or surpassed by other poets who either knew nothing of systematic philosophy, or, like Dante, were educated in a system as unlike as possible to that of Epicurus. There is, therefore, every reason for assuming that he saw and described phenomena not by virtue of his scientific training, but by virtue of his artistic endowment. And the same may be said of the other points in which he is credited with improvements on his masters doctrine. There is, no doubt, a strong consciousness of unity, of individuality, and of law running through his poem. But it is under the form of intuitions or contemplations, not under the form of speculative ideas that they are to be found. And, as will be presently shown, it is not as attributes of Nature but as attributes of life that they present themselves to his imagination.
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THREE:This process was conceived by Aeschylus as a conflict between two generations of gods, ending with their complete reconciliation. In the Prometheus Bound we have the commencement of the conflict, in the Eumenides its close. Our sympathies are apparently at first intended to be enlisted on behalf of the older divinities, but at last are claimed exclusively by the younger. As opposed to Prometheus, Zeus is evidently in the wrong, and seeks to make up for his deficiencies by arbitrary violence. In the Oresteia he is the champion of justice against iniquity, and through his interpreter, Apollo, he enforces a revised moral code against the antiquated claims of the Erinyes; these latter, however, ultimately consenting to become guardians of the new social70 order. The Aeschylean drama shows us Greek religion at the highest level it could reach, unaided by philosophical reflection. With Sophocles a perceptible decline has already begun. We are loth to say anything that may sound like disparagement of so noble a poet. We yield to none in admiration for one who has combined the two highest qualities of artsweetness and strengthmore completely than any other singer, Homer alone excepted, and who has given the primordial affections their definitive expression for all time. But we cannot help perceiving an element of superstition in his dramas, which, so far, distinguishes them unfavourably from those of his Titanic predecessor. With Sophocles, when the gods interfere, it is to punish disrespect towards themselves, not to enforce justice between man and man. Ajax perishes by his own hand because he has neglected to ask for divine assistance in battle. Laius and Jocast come to a tragic end through disobedience to a perfectly arbitrary oracle; and as a part of the same divine purpose Oedipus encounters the most frightful calamities by no fault of his own. The gods are, moreover, exclusively objects of fear; their sole business is to enforce the fulfilment of enigmatic prophecies; they give no assistance to the pious and virtuous characters. Antigon is allowed to perish for having performed the last duties to her brothers corpse. Neoptolemus receives no aid in that struggle between ambition on the one hand with truthfulness and pity on the other which makes his character one of the most interesting in all imaginative literature. When Athn bids Odysseus exult over the degradation of Ajax, the generous Ithacan refuses to her face, and falls back on the consciousness of a common humanity uniting him in sympathy with his prostrate foe.Sandy looked.- Lorem ipsum dolor sit amet, consectetur adipiscing elit. Lorem ipsum dolor sit amet, consectetur adipiscing elit.
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