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FORE:Music in the evening, in the gardens which surround the library, the chapel, and the tennis[Pg 286] courts. The ladies' dresses and the uniforms were lustrous in the moonlight. First we had the regimental band, and then songs to a banjo accompaniment; and all about us in the tall trees, the minahs and parrots shrieking as if it were broad daylight, finished the concert by themselves. A huge creeper, swaying between two branches, hung like a curtain of yellow flowers embroidered, as it seemed, on the airy tangle of leaves.

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FORE:

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FORE:We drove across a succession of parks to visit[Pg 175] Sumer Mundir, a too elaborately carved temple, the panels representing scenes from the Ramayana set in ornamental borders. On the roof, which bristled with sculptured stone, thousands of blue pigeons were perched asleep, their iridescent plumage scarcely stirring in the sunshine. Beyond a tank at the end of the park was a palace in the Arab style with incredibly delicate ornaments of wrought marble, open halls painted in subdued colouring, and lighted by the golden reflections from the water. The pool had steps all round it, in which crowds seat themselves on the occasions of pilgrimage, and far away the enchanting vision of Benares, the holy city, in every shade of amber and honey.

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FORE:We met a native on horseback; a pink turban and a beard also pink, with a round patch of intensely black skin about his mouth��white hair dyed with henna to make it rose-colour; and a lock of hair that showed below his turban was a sort of light, dirty green in hue, like a wisp of hay. The rider, well mounted on his horse, was deeply contemptuous of us, sitting in an ekka��the vehicle of the vulgar; and he passed close to us[Pg 268] muttering an insult in his pink beard trimmed and combed into a fan.

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FORE:Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomes��a crystal of silk and frost, as it were, bright with its own light.

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FORE:In the shrine of Chaumuc, the god of many faces, the four masks grin down from the sides of a square pillar of white stucco. The walls, vault, and pavement of this temple are all red, with borders of green and yellow; the colours scream in contrast to the whiteness of the images, with their staring eyes made of crystal balls that look like spectacles.DARJEELING

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